Video: Making SMPTE ST 2110 installations work

Philip Schofield, MD of Crystal Vision and Richard Lawrence the Principal Software Engineer, talk about implementing ST 2110 highlighting how to deal with some of the challenges of putting together a live media IP installation, including network security, firewalls, compatibility between equipment suppliers and new methods of monitoring and synchronisation.

In a SMPTE UK Section meeting held at Crystal Vision, this talk looks at the reasons not to move to IP and the reasons why it makes sense and demonstrates a small IP system, at work. And covers:

  • IGMP issues,
  • Security,
  • Firewalls,
  • Interoperability,
  • Narrow and wide profiles,
  • The new ways of monitoring,
  • PTP and Synchronisation

Plus questions from the audience.

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Webinar: Out of Band SCTE 35

A great look at SCTE35 and how it’s used from Roger Franklin and Alan Young, CEO and COO at Crystal given at the SMPTE Conference 2017.Watch Now.

SCTE 35 – “Digital Program Insertion Cueing Message for Cable” – is routinely used to identify the location and composition of programming content and advertising breaks in linear television for OTT providers and has been for a long time.
SCTE 35 specifies metadata that can be inserted into the MPEG-2 Transport Stream carrying the compressed content. SCTE 35 contains the precise frame of the beginning and end of video segments, content identifiers and rights-related information. However, the real-world implementation of SCTE 35 by content providers is inconsistent despite SCTE 67 – “Recommended Practice for SCTE 35 Digital Program Insertion Cueing Message for Cable”. Worse, the ever-increasing complexity of distribution and transcoding for delivery to multiple devices has taken its toll on SCTE 35. It rarely survives delivery to the OTT provider without being corrupted. This is obviously a problem for both the OTT providers and the content providers not only because it limits their ability to monetize the content but also because it makes it much harder to effectively automate the implementation of the complex rights associated with online content in an auditable manner.
This webinar describes a method of delivering SCTE 35 out of band using temporal fingerprints to re-synchronize the SCTE metadata with the video at each receiving point. This not only solves the core problem but provides many side benefits including automatic lip sync error correction, enabling broadcast adverts to become ‘clickable’ and enabling graphics to become customizable and user selectable.

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Video: Automating Digital Asset Production with SCTE Messages


From the SMPTE Technical conference, a talk on SCTE 104 and SCTE 35 which allow for live insertion of ads.

Content production networks produce up to 70 different variants of each program asset to meet obligations to a growing number of distribution partners. An improved vocabulary for SCTE 104 and SCTE 35 messages enables in-band description and instructions for processing content segments of live streams. With this information, the production of live and on-demand digital assets can be automated to extract, format and brand assets to meet the various requirements.

This talk describes the critical elements of designing and implementing systems that automate the creating the digital assets. We see a modular, highly scalable architecture and and end-to-end technology for automation. And we finish with looking at how to define structure and timing in the schemas.

Presented By: Jim Duval and Eric Openshaw

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Video: HEVC Vs AV1 and the Future of the Codec Battle

In this debate from NAB 2018, the panel discusses the video codecs which are competing to be the next-generation standard in the OTT environment and, notably, HEVC and AV1 being the front-runners. The debate on which video standard is best suited to our industry is in full swing especially as the Alliance for Open Media released AV1 at the NAB Show and Apple is supporting HEVC in its products and has decided to join the Alliance for Open Media as a founding member. This panel discusses the pros and cons of HEVC and AV1, and also put in perspective content-aware encoding techniques with AVC that might be a strong challenger in the short term for OTT distribution.

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Speakers

Jan Ozer Moderator
Jan Ozer
Principal

Doceo Publishing

Thierry Fautier Mr Thierry Fautier

VP, Video Strategy

Harmonic

Michael Coward Mike Coward

Director of Engineering

Facebook

Christopher Mueller Christopher Mueller

CTO

BitMovin

Matt Frost Matt Frost

Head of Strategy and Partnerships

Google Chrome Media