AES67 is a method of sending audio over IP which was standardised by the Audio Engineering Society as a way of sending uncompressed video over networks between equipment. It’s become widespread and is part of SMPTE’s professional essences-over-IP standards suite, ST 2110.
Here, Conrad Bebbington gives us an introduction to AES67 explaining why AES67 exists and what it tries to achieve. Conrad then goes on to look at interoperability with other competing standards like Dante. After going into some implementation details, importantly, the video then looks the ‘Session Description Protocol’, SDP, and ‘Session Initialisation Protocol’, SIP which are important parts of how AES67 works.
Other topics covered are:
Packetisation – how much audio is in a packet, number of channels etc.
Synchronisation – using PTP
What are SDP and SIP and how are they used
Use of IGMP multicast
Implementation availability in open source software
VMAF is a video quality metric created by Netflix which allows computers to indicate what quality a video is. This is an important part of evaluating how good your encoder or streaming service is so it’s no surprise that Netflix has invested years of research into this. Other metrics such as PSNR and MS-SSIM all have their problems – and let’s accept that no metric is perfect – but what the industry has long grappled with is that a video that has a strong fidelity to the source doesn’t necessarily look better than one that less-faithfully replicates the source.
Imagine you had a video of an overcast day and one encoder rendered the video a bit brighter and a bit more blue. Well, for that clip, people watching might prefer that encoder even though the video is quite different from the source. The same is true of noisy pictures where replicating the noise isn’t always the best idea as some people, for some content, would prefer the cleaner look even though some details may have been lost.
As such, metrics have evolved from PSNR which is much more about fidelity to metrics which try harder to model what ‘looks good’ and VMAF is an example of that.
Zhi Li explains the history of VMAF and explains some of the new features which were released in August 2018, when this talk was given, which gives an insight into the way VMAF works. Plus, there’s a look ahead at new features on the road map. This talk was given at a SF Video Technology meet up.
A meeting of experienced minds here at the Pittsburgh SMPTE section talking about the opportunities and challenges of ST-2110. Phil Myers from Lawo talks optimistically about the challenges that can and often have been solved in implementing 2110 whether that be network infrastructure or timing, giving a good primer on the whole topic as he starts the session.
Hugo Gaggioni from Sony, talks about NMOS, explaining what AMWA does and the difference between their IS-04,05 and 06 specifications.
Karl Kuhn from Tektronix then discusses packet pacing, PTP and network architectures. He then looks at how to monitor PTP and see it is working well.
With the panel session at the end, joined by Dan Turk from NEP, there is a free-ranging discussion covering some of the following topics:
Control of IP networks
The limits of IP
True non-blocking switches
Break-even points of IP systems
Split essences & dropping blanking
Network planning for UHD
Handling loss of network on PTP implementations
plus much more!
We’re all starting to get the hang of the basics: that PTP is the new Black and Burst, that we still need sync to make studios work and that PTP (IEEE1588) is standardised under ST 2059 for use in the broadcast industry. So given its importance, how can we make it redundant?
Thomas Kernen from Mellanox and Chair within the STMPE standards community takes about his real-lift work on implementing PTP with an eye on redundancy methods
Zhou Wang explains how to compare HEVC & AVC with AV1 and shares his findings. Using various metrics such as VMAF, PSNR and SSIMPlus he explores the affects of resolution on bitrate savings and then turns his gaze to computation complexity.
This talk was given at the Mile High Video conference in Denver CO, 2018.
AV1 implementations are still being worked on along a number of fronts and the business cases are starting to shake out. Here’s a developer-focussed look at AV1 from patents to the way it works and to lessons learnt implementing it.
It was last year that the Alliance for Open Media released its next-generation video codec AV1. It achieves better compression than proprietary competitors, while its patents can be licensed via a royalty-free, open-source friendly license. With a broad array of industry support including all major browser vendors, many hardware partners, internet streaming video and conferencing providers, many think this is the best chance yet to create a successful video codec of its type that achieves wide deployment.
This on-demand webinar brings together Nighel Walley from Decipher, Paul Gagnon from IHS Markt, to talk all things CES with David Mercer from Strategy Analytics and Justin Lebbon from Mediatel events.
CES is used as a barometer of things to come and things that are on the way out and has a strong link into parts of the broadcast industry. At the end of the day, people change and technology changes; whatever your company, if you don’t change to suit, then you’ll be out of business.
So what’s hot and what’s off the boil this year? Find out as they cover 5G, 4K, AI, Screen tech and much more.
Thursday February 7th, 10am PST / 1pm EST / 18:00 GMT Now available on-demand!
There is so much talk about HDR, wide colour gamut (WCG), ‘Better Pixels’ and all the TVs seem to interpolate motion up to 100Hz or above, that it’s good to stop and check we know why all of this matters – and crucially when it doesn’t.
SMPTE’s new ‘Essential Technology Concepts Webcasts’ are here to help and for the first webcast, David Long will look at the fundamentals of colour, contrast and motion in terms of what we actually see.
This promises to be a great talk and, the chances are, even people who ‘know it already’ will be reminded of a thing or two!
Ooyala heroically compile a report and webinar discussing the state of the media and broadcast industry each year and Jim O’Neill is here to talk us through it for 2019. The report itself discusses penetration of 4K screens, the demographics of online streaming, 5G, ATSC and much more and this webinar looks at:
The surge of major streaming services into the market
The multi-billion dollar expansion of original content creation
The acceleration of M&E and M&A activity as broadcasters look to build content empires
It’s not easy doing a complete STB roll-out so it’s great that Com Hem have brought together 3 Screen Solutions, Technicolor and Verimatrix to explain how they rolled out the first hybrid Android TV Operator Tier STV from Com Hem. Joining John Moulding from Videonet the session talks about: