3s.
In this talk from Advanced Broadcast Technology, we find out:
- Why colour gamut matters
- Some background on the human visual system
- Measuring colour for displays
- Common colour gamut standards
- Colour for HDR displays
- Quantum Dot technology
Author: Russell Trafford-Jones
Webinar: Harnessing AI to Unlock the Full Potential of Your Video Content
Webinar: Thursday 14th December 19:00 GMT / 11am PT
Digging further into how AI can help broadcasters, this webinar shows how AI can generate a wealth of metadata which can improve your workflows and the value of your content.
IBM discusses how Watson can:
- Generate closed captioning/subtitles and transcriptions
- Improve content search and discovery
- Increase relevance of viewer recommendations
- Monitor for compliance violations
- Automate highlight identification and clipping
Join Dave MacDonald, Vice President of Global Sales for IBM Watson & Cloud Platform and Eric Schumacher-Rasmussen, Editor at Streaming Media to talk about applying AI to broadcast.
Video: Current Status of Codecs Keynote from Jan Ozer
From the Streaming Tech conference in Sweden, Jan Ozer gives us a pleasantly detailed overview of the status of codec licencing, costs, development and performance. From h.264 to VP9 to AV1 with a section on HEVC.
Streaming Tech Sweden is a Swedish conference with a dedicated focus on the technology for video streaming. This is the meeting place for tech managers, architects, developers and product managers looking to be educated and inspired by experts in this area, network with peers and bring home new thoughts and ideas.
On-demand Webinar: Setting scope waveform levels in HDR
This webinar looks at
How to capture light’s High Dynamic Range (better pixels rather than more pixels)
Setting the new HDR scope levels compared to typical SDR (where to set 90% white or 18% grey)
Camera formats and scene exposure adjustment
Artistic level grading for HDR and SDR displays
Michael Waidson from Tektronix, explains the above and digs in to why, as the average luminance level of HDR and SDR should not be that different, a new and more simple scope waveform scale is required. This new scale will ensure preservation of blacks and highlights, as well as artistic adjustments simultaneously for SDR and HDR.
