Video: The 7th Circle of Hell; Making Facility-Wide Audio-over-IP Work

audio-over-ip

When it comes to IP, audio has always been ahead of video. Whilst audio often makes up for it in scale, its relatively low bandwidth requirements meant computing was up to the task of audio-over-IP long before uncompressed video-over-IP. Despite the early lead, audio-over-IP isn’t necessarily trivial. However, this talk aims to give you a heads up to the main hurdles so you can address them right from the beginning.

Matt Ward, Head of Video for UK-based Jigsaw24, starts this talk revising the reasons to go audio over IP (AoIP). The benefits vary for each company. For some, reducing cabling is a benefit, many are hoping it will be cheaper, for others achievable scale is key. Matt’s quick to point out the drawbacks we should be cautious of, not least of which are complexity and skill gaps.

Matt fast-tracks us to better installations by hitting a list of easy wins some of which are basic, but a disproportionately important as the project continues i.e. naming paths and devices and having IP addresses in logical groups. Others are more nuanced like ensuring cable performance. For CAT6 cabling, it’s easy to get companies to test each of your cables to ensure the cable and all terminations are still working at peak performance.

Planning your timing system is highlighted as next on the road to success with smaller facilities more susceptible to problems if they only have one clock. But any facility has to be carefully considered and Matt points out that the Best Master Clock Algorithm (BMCA).

Network considerations are the final stop on the tour, underlining that audio doesn’t have to run in its own network as long as QoS is used to maintain performance. Matt details his reasons to keep Spanning Tree Protocol off, unless you explicitly know that you need it on. The talk finishes by discussing multicast distribution and IGMP snooping.

Watch now!
Speaker

Matt Ward Matt Ward
Head of Audio,
Jigsaw24

Meeting: Audio over IP and the Future of Radio

Meeting: Thursday 12th April 2018 | 18:00 for an 18:30 start. Ample refreshments from 18:00.
Location: Palmerston Lecture Theatre, The Spark, Southampton Solent University, SO14 0YN
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Two presentations from BBC Research and development, by Chris Baume and Jamie Laundon at a joint event from AES South and SMPTE South Section.

Chris Baume: The Mermaid’s Tears – creating the world‘s first live interactive object-based radio drama

Object-based audio is a revolutionary approach to broadcasting that enables the production and delivery of immersive, interactive and accessible listening experiences. Chris will start by presenting an overview of the opportunities and challenges of object-based audio. He will describe how BBC R&D designed and built an experimental radio studio and an end-to-end object-based broadcast chain. Finally, he will discuss how the studio was used to deliver the world’s first live interactive object-based radio drama, as part of the Orpheus collaborative project.

Chris Baume is a Senior Research Engineer at BBC R&D in London, where he leads the BBC’s research into audio production tools and the BBC’s role in the Orpheus EU H2020 project. His research interests include semantic audio analysis, interaction design, object-based audio and spatial audio. Chris is a Chartered Engineer and a PhD candidate at the Centre for Vision, Speech and Signal Processing at the University of Surrey.

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Jamie Laundon: Audio over IP and AES67 – learning to play nicely together

As AoIP becomes commonplace across the industry, the BBC’s Jamie Laundon provides an informative summary of the current state of IP audio in the radio studio, how the latest update to AES67 improves interoperability, and how Plugfests are used to identify and resolve issues between different systems. He will also walk us through an example installation to discuss the various options and decisions you need to make to make your next installation fully IP.

Jamie Laundon is a Senior Technologist at BBC Design and Engineering. He delivers complex technology projects for the BBC’s national radio networks, with a focus on connectivity, workflow design, metadata and networked audio. His 16 year radio career began within UK commercial radio at Heart and LBC in London, before becoming Technical Manager at Galaxy Radio in Yorkshire. He later joined Radio Computing Services (RCS) as an integration specialist working with radio networks across Europe and the Middle East. Jamie is a member of the Engineering innovation team researching BBC Radio’s next-generation “Internet Fit Radio Studios”, with a focus on networked audio interoperability.

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