Video: The 7th Circle of Hell; Making Facility-Wide Audio-over-IP Work

audio-over-ip

When it comes to IP, audio has always been ahead of video. Whilst audio often makes up for it in scale, its relatively low bandwidth requirements meant computing was up to the task of audio-over-IP long before uncompressed video-over-IP. Despite the early lead, audio-over-IP isn’t necessarily trivial. However, this talk aims to give you a heads up to the main hurdles so you can address them right from the beginning.

Matt Ward, Head of Video for UK-based Jigsaw24, starts this talk revising the reasons to go audio over IP (AoIP). The benefits vary for each company. For some, reducing cabling is a benefit, many are hoping it will be cheaper, for others achievable scale is key. Matt’s quick to point out the drawbacks we should be cautious of, not least of which are complexity and skill gaps.

Matt fast-tracks us to better installations by hitting a list of easy wins some of which are basic, but a disproportionately important as the project continues i.e. naming paths and devices and having IP addresses in logical groups. Others are more nuanced like ensuring cable performance. For CAT6 cabling, it’s easy to get companies to test each of your cables to ensure the cable and all terminations are still working at peak performance.

Planning your timing system is highlighted as next on the road to success with smaller facilities more susceptible to problems if they only have one clock. But any facility has to be carefully considered and Matt points out that the Best Master Clock Algorithm (BMCA).

Network considerations are the final stop on the tour, underlining that audio doesn’t have to run in its own network as long as QoS is used to maintain performance. Matt details his reasons to keep Spanning Tree Protocol off, unless you explicitly know that you need it on. The talk finishes by discussing multicast distribution and IGMP snooping.

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Speaker

Matt Ward Matt Ward
Head of Audio,
Jigsaw24

Meeting: Video Compression Fundamentals Tech Breakfast


11th July 2018, 09:00 BST
Location: Jigsaw24, 8 Golden Square, Soho, London, W1F 9HY

The Tech Breakfast at Jigsaw24 continue this time with a look at video compression fundamentals. Codecs are a vital part of the industry and almost part of day to day life, so the experts from root6, Phil Crawley and Matt Ward, will help you get a grasp of the basics and understand what’s happening with today’s codecs, be that HEVC, AV1 or trusty MPEG4. All this, plus a pastry and a drink!

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Meeting: Jigsaw24 Breakfast Tech Talk


Date: 26th June 2018, 09:00 BST
Location: Jigsaw24, 8 Golden Square, Soho, London, W1F 9HY

The Tech Breakfasts are back, this time with a look at PSE (Photosensitive Epilepsy) testing for video in broadcast. With Telestream demoing Vidchecker and the experts from root6, Phil Crawley and Matt Ward, you can find out what you need about the regulations and how to meet them…all at the same time has having a pastry and a drink.

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Meeting: Jigsaw24’s Tech Breakfasts – AES67


Meeting: 9am-9.45am • 8 Golden Square, Soho W1F 9HY • 31st January 2018

The first in a series of Tech Breakfasts, kicking off at 9am, this session will focus on AES67 and audio networking standards. There will be some breakfast bites to get you ready for the day ahead, and the experts will be hanging around afterwards so you’ll have the chance to put your tough technical questions to them.

Experts on hand:
Phil Crawley, Head of Systems Integration, root6
Phil has over 30 years’ experience as a broadcast engineer. He was previously the Technical Director of The Resolution Post Group, Chief Eingineer at Oasis Television, and worked on the first three series of Big Brother before joining root6 to oversee the design commission and certification of systems integration projects. In his spare time, he makes handheld games consoles and is a member of the Society of Motion Pictures and Television Engineers (SMPTE).

Matt Ward, Senior Engineer, root6
Matt worked with some of London’s leading music recording studios before making the jump to video post and handling delivery to national broadcasters. He’s worked in post-production and broadcase ever since. He’s a member of the SMPTE, and was previously a Technical Manager at Strongroom Post-Production, Breathe Post-Production and Air Post-Production.

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