Video: ST 2110 – From Theory to Reality

Delivering an all-IP truck is no mean feat. tpc explains what they learnt, what went well and how they succeeded in delivering a truck which takes no longer to fire up than a traditional SDI truck.

A common question among people considering a move to IP is ‘do I need to?’ and ‘how can I get ready?’. Here at The Broadcast Knowledge we always say ‘find a small project, get it working, learn what goes wrong and then plan the one you really wanted to do.’ The Swiss broadcasting service provider ‘Technology and Production Centre’, known as ‘tpc’, has done just that.

tpc is currently working on the Metechno project – a large, all-IP news, sports and technology centre for Swiss radio and television. In order to acquire necessary experience with the SMPTE ST 2110 standard, tpc designed the UHD1 OB van ahead of time which has been used in TV production for 6 months now. In this video, Andreas Lattmann shares the vision of the Metechno Project and, critically, his experiences related to the design and use of the truck.

The UHD1 is a 24-camera OB van with all IP core based on Arista switches with non-blocking architecture. It is the equivalent of an 184-square UHD SDI system however, it can be expanded by adding additional line cards to network switches. The truck is format agnostic, supporting both HD and UHD formats in HDR and SDR. IP gateways are incorporated for SDI equipment.

The SMPTE ST 2110 specification separates video and audio into discrete essence streams which boosts efficiency and flexibility, but we hear in this talk that more attention to latency (lip-sync) is required compared to SDI systems. Andreas talks about the flexibility this truck provides with up-/down-conversion, colour-correction for any video plus how IP has enabled full flexibility in what can be routed to the multiviewer screens.

Andreas spends some time discussing redundancy and how IP enables full redundancy – an improvement over many SDI infrastructures and how SMPTE’s ST 2022-7 standard makes this possible.

The main GUI is based on a Lawo VSM control system which aims to deliver a familiar experience for operators who used to work in the SDI domain. Network training has been provided for all operators because troubleshooting has changed significantly with the introduction of essences over IP. This is not least because NMOS IS-04 and 05 standards were not mature enough during the design of the truck, so all IP connections had to be managed manually. With more than 50 thousand IP addresses in this system, AMWA’s NMOS IS-04 which manages discovery and registration and IS-05 which manages the setup and take-down of connections would have helped significantly in the lean management of the truck.

Lattmann emphasizes the importance of using open standards like SMPTE ST 2110 instead of proprietary solutions. That allows you to choose the best components and not rely on a single manufacturer.

The learning’s the Andreas presents us involve difficulties with PTP, IP training, the benefits of flexibility. From a video point of view, Andreas presents his experiences with HDR->SDR workflows, focussing in HDR and UHD.

Watch now!

Speaker

Andreas Lattmann Andreas Lattmann
CTO, Head of Planning & Projects
tpc Switzerland AG

Webinar: AWS Insights – Content Creation, Distribution & Media Supply Chain

Webinar Date: Thursday May 30th 2019
Time: Duration 4 hours. 7am PT / 10am ET / 15:00 BST

AWS is synonymous with cloud computing so an insight into managing media on AWS is an insight into cloud computing in general. AWS is offering a 4-hour showcase of implementing content creation, distribution and your supply chain in the cloud.

The online event starts with a keynote on the motivations for moving your workflows into the cloud and how AWS meets them. After that, there are 3 tracks which track the 3 topics.

The complete list is available here. AWS Elemental dominates the distribution track explaining the use cases that can be met and going through the many in-cloud transcoding options.

The creation and supply chain tracks finish with a customer spotlight from FuseFX and Deluxe respectively. For anyone considering a move to the cloud for any part of their operation, these sessions should shed light on what is actually achievable and what is still wishful thinking.

Take a full look and register now!

Webinar: Crafting quality: Skills for successful UHD and HDR production

Webinar date: Thursday May 30th 2019
Time: 16:00 BST / 11 am EST / 8 am PDT

Experienced advice is on hand in this webinar for those producing in HDR and UHD. Productions are always trying to raise the quality of acquisition in order to deliver better quality to the viewers, to enhance creative possibilities and to maximise financial gain by future proofing their archives. But this push always brings challenges in production and the move to UHD and HDR is no different.

HDR and UHD are not synonymous, but often do go hand-in-hand. This is partly because the move to UHD is a move to improve quality, but time and again we hear the reasons that increasing resolution in and of itself is not always an improvement. Rather the ‘better pixels’ mantra seeks to improve quality through improving the video using a combination of resolution, frame-rate, HDR and Wide Colour Gamut (WCG). So when it’s possible, HDR and WCG are often combined with UHD.

In this webinar, we hear the challenges on the way to success met by director and producer Pamela Ann Berry and The Farm Group. Register to hear them share their tips and tricks for better UHD and HDR production.

Register now!

Speakers

Pamela Ann Berry Pamela Ann Berry
Director/producer
Aidan Farrell Aidan Farrell
Senior Colourist,
The Farm Group, UK
Pete Collins Pete Collins
Head of Scripted Pipeline,
The Farm Group, UK

Video: An Overview of the ISO Base Media File Format

ISO BMFF a standardised MPEG media container developed from Apple’s Quicktime and is the basis for cutting edge low-latency streaming as much as it is for tried and trusted mp4 video files. Here we look into why we have it, what it’s used for and how it works.

ISO BMFF provides a structure to place around timed media streams whilst accommodating the metadata we need for professional workflows. Key to its continued utility is its extensible nature allowing additional abilities to be added as they are developed such as adding new codecs and metadata types.

ATSC 3.0’s streaming mechanism MMT is based on ISO BMFF as well as the low-latency streaming format CMAF which shows that despite being over 18 years old, the ISO BMFF container is still highly relevant.

Thomas Stockhammer is the Director of Technical Standards at Qualcomm. He explains the container format in structure and origin before explaining why it’s ideal for CMAF’s low-latency streaming use case, finishing off with a look at immersive media in ISO BMFF.

Watch now!

Speaker

Thomas Stockhammer Thomas Stockhammer
Director Technical Standards,
Qualcomm