Video: PTP/ST 2059 Best Practices developed from PTP deployments and experiences

PTP is foundational for SMPTE ST 2110 systems. It provides the accurate timing needed to make the most out of almost zero-latency professional video systems. In the strictest sense, some ST 2110 workflows can work without PTP where they’re not combining signals, but for live production, this is almost never the case. This is why a lot of time and effort goes into getting PTP right from the outset because making it work perfectly from the outset gives you the bedrock on which to build your most valuable infrastructure upon.

In this video, Gerard Phillips from Arista, Leigh Whitcomb from Imagine Communications and Telestream’s Mike Waidson join forces to run down their top 15 best practices of building a PTP infrastructure you can rely on.

Gerard kicks off underlining the importance of PTP but with the reassuring message that if you ‘bake it in’ to your underlying network, with PTP-aware equipment that can support the scale you need, you’ll have the timing system you need. Thinking of scale is important as PTP is a bi-directional protocol. That is, it’s not like the black and burst and TLS that it replaces which are simply waterfall signals. Each endpoint needs to speak to a clock so understanding how many devices you’ll be having and where is important to consider. For a look a look at PTP itself, rather than best practices, have a look at this talk free registration required or this video with Meinberg.

 

 

Gerard’s best practices advice continues as he recommends using a routed network meaning having multiple layer 2 networks with layer 3 routing between This reduces the broadcast domain size which, in turn, increases stability and resilience. JT-NM TR-1001 can help to assist in deployments using this network architecture. Gerard next cautions about layer 2 IGMP snoopers and queriers which should exist on every VLAN. As the multicast traffic is flooded to the snooping querier in layer 2, it’s important to consider traffic flows.

When Gerard says PTP should be ‘baked in’, it’s partly boundary clocks he’s referring to. Use them ‘everywhere you can’ is the advice as they bring simplicity to your design and allow for easier debugging. Part of the simplicity they bring is in helping the scalability as they shed load from your GM, taking the brunt of the bi-directional traffic and can reduce load on the endpoints.

It’s long been known that audio devices, for instance, older versions of Dante before v4.2, use version one of PTP which isn’t compatible with SPMTE ST 2059’s requirement to use PTP v2. Gerard says that, if necessary, you should buy a version 1 to version 2 converter from your audio vendor to join the v1 island to your v2 infrastructure. This is linked to best practice point 6; All GMs must have the same time. Mike makes the point that all GMs should be locked to GPS and that if you have multiple sites, they should all have an active, GPS-locked GM even if they do send PTP to each other over a WAN as that is likely to deliver less accurate timing even if it is useful as a backup.

Even if you are using physically separate networks for your PTP and ST 2110 main and backup networks, it’s important to have a link between the two GMs for ST 2022-7 traffic so a link between the two networks just for PTP traffic should be established.

The next 3 points of advice are about the ongoing stability of the network. Firstly, ST 2059-2 specifies the use of TLV messages as part of a mechanism for media notes to generate drop-frame timecode. Whilst this may not be needed day 1, if you have it running and show your PTP system works well with it on, there shouldn’t be any surprises in a couple of years when you need to introduce an end-point that will use it. Similarly, the advice is to give your PTP domain a number which isn’t a SMPTE or AES default for the sole reason that if you ever have a device join your network which hasn’t been fully configured, if it’s still on defaults it will join your PTP domain and could disrupt it. If, part of the configuration of a new endpoint is changing the domain number, the chances of this are notably reduced. One example of a configuration item which could affect the network is ‘ptp role master’ which will stop a boundary clock from taking part in BCMA and prevents unauthorised end-points taking over.

Gerard lays out the ways in which to do ‘proper commissioning’ which is the way you can verify, at the beginning, that your PTP network is working well-meaning you have designed and built your system correctly. Unfortunately, PTP can appear to be working properly when in reality it is not for reasons of design, the way your devices are acting, configuration or simply due to bugs. To account for this, Gerard advocates separate checklists for GM switches and media nodes with a list of items to check…and this will be a long list. Commissioning should include monitoring the PTP traffic, and taking a packet capture, for a couple of days for analysis with test and measurement gear or simply Wireshark.

Leigh finishes up the video talking about verifying functionality during redundancy switches and on power-up. Commissioning is your chance to characterise the behaviour of the system in these transitory states and to observe how equipment attached is affected. His last point before summarising is to implement a PTP monitoring solution to capture the critical parameters and to detect changes in the system. SMPTE RP 2059-15 will define parameters to monitor, with the aim that monitoring across vendors will provide some sort of consistent metrics. Also, a new version of IEEE-1588, version 2.1, will add monitoring features that should aid in actively monitoring the timing in your ST 2110 system.

This Arista white paper contains further detail on many of these best practices.

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Speakers

Gerard Phillips Gerard Phillips
Solutions Engineer,
Arista
Leigh Whitcomb Leigh Whitcomb
Principal Engineer.
Imagine
Michael Waidson Mike Waidson
Application Engineer,
Telestream

Video: Creating Interoperable Hybrid Workflows with RIST

TV isn’t made in one place anymore. Throughout media and entertainment, workflows increasingly involve many third parties and being in the cloud. Content may be king, but getting it from place to place is foundational in our ability to do great work. RIST is a protocol that is able to move video very reliably and flexibly between buildings, into, out of and through the cloud. Leveraging its flexibility, there are many ways to use it. This video helps review where RIST is up to in its development and understand the many ways in which it can be used to solve your workflow problems.

Starting the RIST overview is Ciro Noronha, chair of the RIST Forum. Whilst we have delved in to the detail here before in talks like this from SMPTE and this talk also from Ciro, this is a good refresher on the main points that RIST is published in three parts, known as profiles. First was the Simple Profile which defined the basics, those being that it’s based on RTP and uses an ARQ technology to dynamically request any missing packets in a timely way which doesn’t trip the stream up if there are problems. The Main Profile was published second which includes encryption and authentication. Lastly is the Advanced Profile which will be released later this year.

 

 

Ciro outlines the importance of the Simple Profile. That it guarantees compatibility with RTP-only decoders, albeit without error correction. When you can use the error correction, you’ll benefit from correction even when 50% of the traffic is being lost unlike similar protocols such as SRT. Another useful feature for many is multi-link support allowing you to use RIST over bonded LTE modems as well as using SMPTE ST 2022-7

The Main Profile brings with it support for tunnelling meaning you can set up one connection between two locations and put multiple streams of data through. This is great for simplifying data connectivity because only one port needs to be opened in order to deliver many streams and it doesn’t matter in which direction you establish the tunnel. Once established, the tunnel is bi-directional. The tunnel provides the ability to carry general data such as control data or miscellaneous IT.

Encryption made its debut with the publishing of the Main Profile. RIST can use DTLS which is a version of the famous TLS security used in web sites that runs on UDP rather than TCP. The big advantage of using this is that it brings authentication as well as encryption. This ensures that the endpoint is allowed to receive your stream and is based on the strong encryption we are familiar with and which has been tested and hardened over the years. Certificate distribution can be difficult and disproportionate to the needs of the workflow, so RIST also allows encryption using pre-shared keys.

Handing over now to David Griggs and Tim Baldwin, we discuss the use cases which are enabled by RIST which is already found in encoders, decoders and gateways which are on the market. One use case which is on the rise is satellite replacement. There are many companies that have been using satellite for years and for whom the lack of operational agility hasn’t been a problem. In fact, they’ve also been able to make a business model work for occasional use even though, in a pure sense, satellite isn’t perfectly suited to occasional use satellites. However, with the ability to use C-band closing in many parts of the world, companies have been forced to look elsewhere for their links and RIST is one solution that works well.

David runs through a number of others including primary and secondary distribution, links aggregation, premium sports syndication with the handoff between the host broadcaster and the multiple rights-holding broadcasters being in the cloud and also a workflow for OTT where RIST is used for ingest.

RIST is available as an open source library called libRIST which can be downloaded from videolan and is documented in open specifications TR-06-1 and TR-06-2. LibRIST can be found in gstreamer, Upipe, VLC, Wireshark and FFmpeg.

The video finishes with questions about how RIST compares with SRT. RTMP, CMAF and WebRTC.

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Speakers

Tim Baldwin Tim Baldwin
Head of Product,
Zixi
David Griggs David Griggs
Senior Product Manager, Distribution Platforms
Disney Streaming Services
Ciro Noronha Ciro Noronha
President, RIST Forum
Executive Vice President of Engineering, Cobalt Digital

Video: Digital Media Trends of 2020

Research from before and during the pandemic paints a clear picture of how streaming has changed. This Deloitte research looked at ad-supported and subscription VOD across demographics as well as looking at how the film industry has faired as cinemas have remained closed in most places.

Jeff Loucks presents the results of surveys taken in the United States before the lockdown and then again in May and October 2020. The youngest demographic tracked is Gen Z born between 1997 and 2006, the oldest being ‘matures’ who are older than 73. The most critical measurement is the amount of money people have in their pocket. Around half said their finances were unchanged, up to 39% said their pay packet had reduced either somewhat or significantly, though this reduced to only 29% in October.

When including streaming music, video games audiobooks, US consumers had an average of 12 entertainment subscriptions which reduced to 11 by October. Concentrating on paid video subscriptions only, the average grew from 3 to 5 over the period of the research, with millennials leading the charge up to 7 services. However, churn also increased. Jeff explains that this is partly because free trials come to an end but also because people are judging services as too expensive. It seems that there is a certain amount of experimentation going on with people testing new combinations of services to find the mix that suits them.

 

 

Jeff makes the point that there are around 300 paid streaming services in the US market which is ‘too many to stick around’. Whilst it’s clear that streaming providers are giving consumers the types of services they’ve been wanting from cable providers for years, they are bringing a burden of complexity with them, too.

Hulu and YouTube are two services that give the flexibility of watching an ad-supported version or an ad-free version of the service. Across the market, 60% of people use at least one free ad-supported service. Whilst Hulu’s ad-supported service isn’t free, giving these options is a great way to cater to different tastes. the Deloitte research showed that whilst Gen Z and Millenials would prefer to pay for an ad-free service, older ‘boomers and ‘matures’ would rather use an ad-supported service. Furthermore, when given the option to pay a little for half the ads, customers prefer the extremes rather than the halfway house. Overall, 7 minutes of ads an hour is the number which people say is the right balance, with 14 being too many,

Films have been hit hard by the pandemic, but by the end of the pandemic, 35% of people said they had paid to watch a new release on a streaming platform up 13% from May and 90% said they would likely do it again. Theatrical release windows have been under examination for many years now, but the pandemic really forced the subject. The percentage of revenue made during the ‘DVD release’ period has gone down over the decades. Nowadays, a film makes most of its money, 45%, during its theatrical release window with the ‘TV’ revenue being squeezed down 10% to 18% of the overall revenue. It’s clear then, that studios will be careful with that 45% share to ensure it’s suitably replaced as they move ahead with their 2022 plans.

Each genre has its own fingerprint with comedy and dramas making less money in the box office, proportionally than animations and action movies, for instance. So whilst we may see notable changes in distribution windows, they may be more aggressive for some releases than others when the pandemic has less of a say in studios’ plans.

This video is based on research that can be read in much more detail here:

Digital Media Trends Consumption Habits Survey

Future of the Movie Industry

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Speakers

Jeff Loucks Dr. Jeff Loucks
Executive Director,
Deloitte Center for Technology, Media & Telecommunications

Video: Update on CTA WAVE’s Tools


With wide membership including Apple, Comcast, Google, Disney, Bitmovin, Akamai and many others, the WAVE interoperability effort is tackling the difficulties web media encoding, playback and platform issues utilising global standards.

Bob Cabmpell from Eurofins explains that with so many streaming formats and device types, we tend to see inconsistent behaviour while streaming due to lack of compliance with standards. This adds a cost for content providers and suppliers. The Web Application Video Ecosystem (WAVE) tries to create solutions to this problem not by creating standards, but by bringing together initiatives across the industry to improve interoperability as well as creating test tools.

Core the work are these five technologies: CENC, DASH & CMAF, HLS, HTML5 video, DRM. For a deeper look at WAVE, watch this talk with Microsoft’s John Simmons who looks at each of these in more depth. In this video, Bob looks at the test tools provided by CTA WAVE.
 

 
Bob looks first at an MPD validator aimed at people prepping and delivering content who need to test thier DSAH manifests are correct. This can be done at https://conformance.dashif.org where Bob walks us through the process and the types of errors and warnings available in the report. App developers are advised to develop to a document of guidelines rather than having a test suite whereas API compliance can be found at WeBAPITests2018.ctawave.org and Bob finishes off with a sneak peek of a new device capabilities suite which will help automate the detection of problems such as non-smooth playback when switching between ABR rungs.

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Speakers

Bob Campbell Dr. Bob Campbell
Director of Engineering,
Eurofins Digital Testing