Paul Briscoe explains PTP from the basics taking us through the reasons for using it and how it’s applied to the ST 2110 which to carries uncompressed video, audio and metadata.
The ST 2110 standard brings with it an entirely new way to establish system timing, through use of IEEE-1588 PTP and SMPTE ST2059. This method is native to the IP domain and to the RTP transport and media synchronization used by 2110 but also provides virtualized legacy timing capability.
Paul discusses
• The considerations in system timing using ST2110, including those which include SDI elements.
• How PTP delivers precision time across an IP network
• How ST2059 uses PTP to virtualize any reference signal.
• The synchronization mechanisms of ST2110 including transport timestamps and media clocks
• How streams are synchronized among each other and how they interoperate with PTP
• How timing of SDI and AES3 signals is harmonized with ST2110 streams.
• Router switchpoint timing and latency considerations.
Presented By: Paul Briscoe at SMPTE Technical Conference 2017 Watch now!
Setting up a PTP Network shouldn’t be difficult! Learn from the experts who have seen it all and know the tricks to keep you out of trouble and your IP network system perfectly timed. This webinar will discuss basic synchronization requirements and how PTP can serve them, provide a high-level view of how to clear PTP obstacles in media applications, and then launch into some monitoring and diagnosis best practices. Come, learn, and ask your toughest questions!
Erling Hedkvist
SVP and Product Manager
for Networked Audio & Video Solutions
Lawo
Erling Hedkvist is Senior Vice President and Business Development Manager at Lawo. Mr Hedkvist has been in the broadcast industry since 2000 and started his career in product management before making the move over to sales, business development and corporate management. Mr Hedkvist specialized early on in providing networking solutions for the broadcast and media & entertainment industry. Initially for contribution applications but lately with a focus on providing software defined networking solutions for live production workflows. As such he works with clients to design complete solutions for Remote Production, Master Control, Playout, PCR, OTT and other broadcast applications on top of IP and in a distributed and virtualized environment.
Andreas Hildebrand
RAVENNA Evangelist
ALC NetworX
Andreas Hildebrand is acting as Evangelist for the RAVENNA technology developed by ALC NetworX, Germany. His experience is based on more than 25 years of occupation in the Professional Audio / Broadcasting industry. He received a graduate diploma in computer science and worked as a software engineer and Head of Development for companies in Germany and the US for several years. He is a full-time participant in the AES Task Group defining and maintaining the AES67 AoIP standard. He is also participating in the AIMS Technical WG and the SMPTE ST2110 SVIP standardization.
Mike Overton
Principal Engineer
Tektronix
Mike Overton is a Principal Engineer at Tektronix. He has been a HW designer and project lead on SDI, MPEG, audio, signal generation, picture quality, and IP products. For the last 3 years, Mike has concentrated on IP-based systems, encompassing both the PTP reference and the ST2110 essence aspects. He led the definition and development of the SPG8000A PTP master and contributed to the definition and testing of the Prism IP monitor. He is the focal point for many POCs and recently helped define and execute the SMPTE-sponsored interoperability tests for PTP.
May 23rd, 08:00 and 16:00 BST
In the third in the series, Axon’s Jan Evaleens explains in detail IP transport systems such as SMPTE ST 2110, ST 2022-6, AES67 and others. He goes on to discus when they can best be used within existing systems but also in new IP only solutions.
Date: 11th April 2018, 18:30-20:00
Location: University of York – Department of Theatre, Film and Television, Baird Lane, Heslington, YO10 5GB
Carmen Rosas presents her research on creating a Binaural Sound Map of Malaga. This sound map aims at creating a tool that collects some of the most distinctive soundscapes of Malaga, an important touristic city with multiple and different soundscapes (and also many conflicts caused by noise) so that they can be listened to by their inhabitants and people from all over the world, become part of the city’s cultural heritage and be archived and catalogued for their conservation. It has also the intention of promoting the awareness of preserving a good quality sound environment by showing the diversity and richness of the soundscapes of the city.
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