Video: BBC Cardiff Central Square – Update

It’s being closely watched throughout the industry, a long-in-the-making project to deploy SMPTE ST 2110 throughout a fully green-field development. Its failure would be a big setback for the push to a completely network-based broadcast workflow.

The BBC Cardiff Central Square project is nearing completion now and is a great example of the early-adopter approach to bringing cutting-edge, complex, large-scale projects to market. They chose a single principle vendor so that they could work closely in partnership at a time when the market for ST 2110 was very sparse. This gave them leverage over the product roadmap and allowed to the for the tight integration which would be required to bring this project to market.

Nowadays, the market for ST 2110 products continues to mature and whilst it has still quite a way to go, it has also come a long way in the past four years. Companies embarking similar projects now have a better choice of products and some may now feel they can start to pick ‘best of breed’ rather than taking the BBC approach. Whichever approach is taken there is still a lot to be gained by following and learning from the mistakes and successes of others. Fortunately, Mark Patrick, Lead Architect on the project is here to provide an update on the project.

Mark starts by giving and overview of the project, its scale and its aims. He presents the opportunities and challenges it presents and the key achievements and milestones passed to date.

Live IP has benefits and risks. Mark takes some time to explain the benefits of the flexibility and increasingly lower cost of the infrastructure and weighs them agains the the risks which include the continually developing standards and skills challenges

The progress overview names Grass Vally as the main vendor, control via BNCS having being designed and virtualised, ST 2110 network topology deployed and now the final commissioning and acceptance testing is in progress.

The media topology for the system uses an principal of an A and a B network plus a separate control network. It’s fundamentally a leaf and spine network and Mark shows how this links in to both the Grass Valley equipment but also the audio equipment via Dante and AES67. Mark takes some time to discuss the separate networks they’ve deployed for the audio part of the project, driven by compatibility issues but also within the constraints of this project, it was better to separate the networks rather than address the changes necessary to force them together.

PTP timing is discussed with a nod to the fact that PTP design can be difficult and that it can be expensive too. NMOS issues are also actively being worked on and remains an outstanding issue in terms of getting enough vendors to support it, but also having compatible systems once an implementation is deployed. This has driven the BBC to use NMOS in a more limited way than desired and creating fall-back systems.

From this we can deduce, if it wasn’t already understood, that interoperability testing is a vital aspect of the project, but Mark explains that formalised testing (i.e. IT-style automated) is really important in creating a uniform way of ensuring problems have been fully addressed and there are no regressions. ST 2110 systems are complex and fault finding can be similarly complex and time consuming.

Mark leaves us by explaining what keeps him awake at night which includes items such as lack of available test equipment, lack of single-stream UHD support and NMOS which leads him to a few comments on ST 2110 readiness such as the need for vendors to put much more effort into configuration and management tools.

Anyone with an interest in IP in broadcast will be very grateful at Mark’s, and the BBC’s, willingness to share the project’s successes and challenges in such a constructive way.

Watch now!

Speaker

Mark Patrick Mark Patrick
Lead Architect,
BBC Major Projects Infrastructure

Video: ST 2110-30 and NMOS IS-08 — Audio Transport and Routing

Andreas Hildebrand starts by introducing 2110 and how it works in terms of sending the essences separately using multicast IP. This talk focusses on the ability of audio-only devices to subscribe to the audio streams without needing the video streams. Andreas then goes on to introduce AES67 which is a standard defining interoperability for audio defining timing, session description, encoding, QOS, transport and much more. Of all the things which are defined in AES67, discovery was deliberately not included and Andreas explains why.

Within SMPTE 2110, there are constraints added to AES67 under the sub-standard 2110-30. The different categories A, B and C (and their X counterparts) are explained in terms how how many audios are defined and the sample lengths with their implications detailed.

As for discovery and other aspects of creating a working system, Andreas looks towards AMWA’s NMOS suite summarising the specifications for Discovery & Registration, Connection Management, Network Control, Event & Tally, Audio Channel Mapping. It’s the latter which is the focus of the last part of this talk.

IS-08 defines a way of defining input and output blocks allowing a channel mapping to be defined. Using IS-05, we can determine which source stream should connect to which destination device. Then IS-08 gives the capability to determine which of the audios within this stream can be mapped to the output(s) of the receiving device and on top of this allows mapping from multiple received streams into the output(s) of one device. The talk then finishes with a deeper look at this process including where example code can be found.

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Speaker

Andreas Hildebrand Andreas Hildebrand
Senior Product Manager,
ALC NetworX

Video: Implementing AES67 and ST 2110-30 in Your Plant

AES67 is a flexible standard but with this there is complexity and nuance. Implementing it within ST 2110-30 takes some care and this talk covers lessons learnt in doing exactly that.

AES67 is a standard defined by the Audio Engineering Society to enable high-performance audio-over-IP streaming interoperability between various AoIP systems like Dante, WheatNet-IP and Livewire. It provides comprehensive interoperability recommendations in the areas of synchronization, media clock identification, network transport, encoding and streaming, session description, and connection management.

The SMPTE ST 2110 standards suite makes it possible to separately route and break away the essence streams – audio, video, and ancillary data. ST 2110-30 addresses system requirements and payload formats for uncompressed audio streams and refers to the subset of AES67 standard.

In this video Dominic Giambo from Wheatsone Corporation discusses tips for implementing AES67 and ST 2110-30 standards in a lab environment consisting of over 160 devices (consoles, sufraces, hardware and software I/O blades) and 3 different automation systems. The aim of the test was to pass audio through every single device creating a very long chain to detect any defects.

The following topics are covered:

  • SMPTE ST 2110-30 as a subset of AES67 (support of the PTP profile defined in SMPTE ST 2059-2, an offset value of zero between the media clock and the RTP stream clock, option to force a device to operate in PTP slave-only mode)
  • The importance of using IEEE-1588 PTP v2 master clock for accuracy
  • Packet structure (UDP and RTP header, payload type)
  • Network configuration considerations (mapping out IP and multicast addresses for different vendors, keeping all devices on the same subnet)
  • Discovery and control (SDP stream description files, configuration of signal flow from sources to destinations)

Watch now!

You can download the slides here.

Speaker

Dominic Giambo
Senior Embedded Engineer
Wheatstone Corporation

Video: Routing AES67

Well ahead of video, audio moved to uncompressed over IP and has been reaping the benefits ever since. With more mature workflows and, as has always been the case, a much higher quantity of feeds than video traditionally has, the solutions have a higher maturity.

Anthony from Ward-Beck Systems talks about the advantages of audio IP and the things which weren’t possible before. In a very accessible talk, you’ll hear as much about soup cans as you will about the more technical aspects, like SDP.

Whilst uncompressed audio over IP started a while ago, it doesn’t mean that it’s not still being developed – in fact it’s the interface with the video world where a lot of the focus is now with SMPTE 2110-30 and -31 determining how audio can flow alongside video and other essences. As has been seen in other talks here on The Broadcast Knowledge there’s a fair bit to know.(Here’s a full list.

To simplify this, Anthony, who is also the Vice Chair of AES Toronto, describes the work the AES is doing to certify equipment as AES 67 ‘compatible’ – and what that would actually mean.

This talk finishes with a walk-through of a real world OB deployment of AES 67 which included the simple touches as using google docs for sharing links as well as more technical techniques such as virtual sound card.

Packed full of easy-to-understand insights which are useful even to those who live for video, this IP Showcase talk is worth a look.

Watch now!

Speaker

Anthony P. Kuzub Anthony P. Kuzub
IP Audio Product Manager,
Ward-Beck Systems