Video: IP Media Networks for Live Production

Building and controlling a network for SMPTE ST 2110 go hand in hand when it comes to planning an installation. As ST 2110 delivers all media essences separately, networks can easily end up carrying tens of thousands of flows emphasising the need for efficient network design and having a full understanding of the paths your media are using.

This video is co-presented by Nevion and Arista and starts by observing that the traditional difference between a LAN and WAN is being eroded leading as WANs get faster and better, we find that we can now deliver multi-location broadcast facilities which act similarly to if everything was co-located. Moreover, introduces Martin Walbum Media Function virtualisation which is enabled by network-connected equipment allowing for shared processing and shared control. For instance, it’s now possible to house all equipment in a datacentre and allow this to be used remotely maximising the utilisation of the equipment allowing a broadcaster to maximise the value of its purchases and minimise costs.

Arista’s Gerard Phillips takes a look at SDI systems to understand how we expect IP systems to behave and what we expect them to do. The system needs to deliver high throughput, instantaneous switching with low latency and no tolerance for failure. In order to do this, not only do we need to get the right software but to deliver the resilience we need, the network needs the correct architecture. Gerard takes us through the different options starting with a typical, flat, layer 2 networks and working up to leaf and spine along with a treatment of red, blue and purple networks.

Gerard recently did a deep dive on network design for live production for the IET. Take a look for much more detail on how to architect a network for uncompressed media.

Martin then looks at the need for orchestration. Broadcasters expect to deliver systems with, preferably, no downtime. As such, we’ve seen that network elements are typically duplicated as is the traffic which is delivered over two paths and SMPTE ST 2022-7. If you want to take something out of use for planned maintenance, it’s best to do that in a planned, ordered, way meaning you migrate flows away from it until it’s no longer in-circuit. Software-Defined Networks (SDNs), do exactly that. Martin walks us through the pros and cons of managing your network with IGMP and SDN. Gerard’s previous talk also looks at this in detail.

The video finishes with a look at which Arista switches can be used for media and a look at how Arista and Nevion implemented an ST 2110 network at Swiss broadcaster, tpc. This case study is presented in longer form in this video from the IP Showcase.

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Speakers

Gerard Phillips Gerard Phillips
Systems Engineer,
Arista
Martin Walbum Martin Walbum
Senior Vice President of Solution Strategy,
Nevion

Video: Progress Update for the ST 2110 WAN VSF Activity Group

2110 Over WAN Update

Is SMPTE ST 2110 suitable for inter-site connectivity over the WAN? ST 2110 is moving past the early adopter phase with more and more installations and OB vans bringing 2110 into daily use but today, each site works independently. What if we could maintain a 2110 environment between sites. There are a number of challenges still to be overcome and moving a large number of essence flows long distances and between PTP time domains is one of them.

Nevion’s Andy Rayner is chair of the VSF Activity Group looking into transporting SMPTE ST 2110 over WAN and is here to give an update on the work in progress which started 18 months ago. The presentation looks at how to move media between locations which has been the primary focus to date. It then discusses how control over which media are shared will be handled as this is a new aspect to the work. Andy starts by outlining the protection offered in the scheme which supports both 2022-7 and FEC then explains that though FEC is valuable for single links where 2022-7 isn’t viable, only some of the possible ST 2022-5 FEC configurations are supported, in part, to keep latency low.

The headline to carrying 2110 over the WAN is that it will be done over a trunk. GRE is a widely used Cisco trunking technology. Trunking, also known as tunnelling, is a technique of carrying ‘private’ traffic over a network such that a device sending into the trunk doesn’t see any of the infrastructures between the entrance and the exit. It allows, for instance, IPv6 traffic to be carried over IPv4 equipment where the v4 equipment has no idea about the v6 data since it’s been wrapped in a v4 envelope. Similarly, the ipv6 equipment has no idea that the ipv6 data is being wrapped and carried by routers which don’t understand ipv6 since the wrapping and unwrapping of the data is done transparently at the handoff.

In the context of SMPTE ST 2110, a trunk allows one port to be used to create a single connection to the destination, yet carry many individual media streams within. This has the big benefit of simplifying the inter-site connectivity at the IT level, but importantly also means that the single connection is quite high bandwidth. When FEC is applied to a connection, the latency introduced increases as the bit rate reduces. Since ST 2110 carries audio and metadata separately, an FEC-protected stream would have variable latency depending on the type of the of traffic. Bundling them in to one large data stream allows FEC to be applied once and all traffic then suffers the same latency increase. The third reason is to ensure all essences take the same network path. If each connection was separate, it would be possible for some to be routed on a physically different route and therefore be subject to a different latency.

Entering the last part of the talk, Andy switches gears to talk about how site A can control streams in site B. The answer is that it doesn’t ‘control’, rather there is the concept of requesting streams. Site A will declare what is available and site B can state what it would like to connect to and when. In response, site A can accept and promise to have those sources available to the WAN interface at the right time. When the time is right, they are released over the WAN. This protects the WAN connectivity from being filled with media which isn’t actually being used. These exchanges are mediated and carried out with NMOS IS-04 an IS-05.

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Speakers

Andy Rayner Andy Rayner
Chief Technologist, Nevion,
Chair, WAN IP Activity Group, VSF
Wes Simpson Moderator: Wes Simpson
Founder, LearnIPVideo.com
Co-chair RIST Activity Group, VSF

Video: Case Study on a Large Scale Distributed ST 2110 Deployment

We’re “past the early-adopter stage” of SMPTE 2110, notes Andy Rayner from Nevion as he introduces this case study of a multi-national broadcaster who’s created a 2110-based live production network spanning ten countries.

This isn’t the first IP project that Nevion have worked on, but it’s doubtless the biggest to date. And it’s in the context of these projects that Andy says he’s seen the maturing of the IP market in terms of how broadcasters want to use it and, to an extent, the solutions on the market.

Fully engaging with the benefits of IP drives the demand for scale as people are freer to define a workflow that works best for the business without the constraints of staying within one facility. Part of the point of this whole project is to centralise all the equipment in two, shared, facilities with everyone working remotely. This isn’t remote production of an individual show, this is remote production of whole buildings.

SMPTE ST-2110, famously, sends all essences separately so where an 1024×1024 SDI router might have carried 70% of the media between two locations, we’re now seeing tens of thousands of streams. In fact, the project as a whole is managing in the order of 100,000 connections.

With so many connections, many of which are linked, manual management isn’t practical. The only sensible way to manage them is through an abstraction layer. For instance, if you abstract the IP connections from the control, you can still have a panel for an engineer or operator which says ‘Playout Server O/P 3’ which allow you to route it with a button that says ‘Prod Mon 2’. Behind the scenes, that may have to make 18 connections across 5 separate switches.

This orchestration is possible using SDN – Software Defined Networking – where router decisions are actually taken away from the routers/switches. The problem is that if a switch has to decide how to send some traffic, all it can do is look at its small part of the network and do its best. SDN allows you to have a controller, or orchestrator, which understands the network as a whole and can make much more efficient decisions. For instance, it can make absolutely sure that ST 2022-7 traffic is routed separately by diverse paths. It can do bandwidth calculations to stop bandwidths from being oversubscribed.

Whilst the network is, indeed, based on SMPTE ST 2110, one of the key enablers is JPEG XS for international links. JPEG XS provides a similar compression level to JPEG 2000 but with much less latency. The encode itself requires less than 1ms of latency, unlike JPEG 2000’s 60ms. Whilst 60ms may seem small, when a video needs to move 4 or even 10 times as part of a production workflow, it soon adds up to a latency that humans can’t work with. JPEG XS promises to allow such international production to feel responsive and natural. Making this possible was the extension of SMPTE ST 2110, for the first time, to allow carriage of compressed video in ST 2110-22.

Andy finishes his overview of this uniquely large case study talking about conversion between types of audio, operating SDN with IGMP multicast islands, and NMOS Control. In fact, it’s NMOS which the answer to the final question asking what the biggest challenge is in putting this type of project together. Clearly, in a project of this magnitude, there are challenges around every corner, but problems due to quantity can be measured and managed. Andy points to NMOS adoption with manufacturers still needing to be pushed higher whilst he lays down the challenge to AMWA to develop NMOS further so that it’s extended to describe more aspects of the equipment – to date, there are not enough data points.

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Speakers

Andy Rayner Andy Rayner
Chief Technologist,
Nevion

Video: Wide Area Facilities Interconnect with SMPTE ST 2110

Adoption of SMPTE’s 2110 suite of standards for transport of professional media is increasing with broadcasters increasingly choosing it for use within their broadcast facility. Andy Rayner takes the stage at SMPTE 2019 to discuss the work being undertaken to manage using ST 2110 between facilities. In order to do this, he looks at how to manage the data out of the facility, the potential use of JPEG-XS, timing and control.

Long established practices of using path protection and FEC are already catered for with ST 2022-7 for seamless path protection and ST 2022-5. New to 2110 is the ability to send the separate essences bundled together in a virtual trunk. This has the benefit of avoiding streams being split up during transport and hence potentially suffering different delays. It also helps with FEC efficiency and allows transport of other types of traffic.

Timing is key for ST 2110 which is why it natively uses Precision Timing Protocol, PTP which has been formalised for use in broadcast under ST 2059. Andy highlights the problem of reconciling timing at the far end but also the ‘missed opportunity’ that the timing will usually get regenerated therefore the time of media ingest is lost. This may change over the next year.

The creation of ST 2110-22 includes, for the first time, compressed media into ST 2110. Andy mentions that JPEG XS can be used – and is already being deployed. Control is the next topic with Andy focussing on the secure sharing of NMOS IS-04 & 05 between facilities covering registration, control and the security needed.

The talk ends with questions on FEC Latency, RIST and potential downsides of GRE trunking.

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Speaker

Andy Rayner Andy Rayner
Chief Technologist,
Nevion