Video: UHD – commercial success or work in progress?

Where is UHD? Whilst the move to HD for US primetime slots happened very quickly, HD had actually taken many years to gain a hold on the market. Now, though SD services are still numerous, top tier channels all target HD and in terms of production, SD doesn’t really exist. Is UHD successfully building the momentum needed to dominate the market in the way that HD does or are there blockers? Is there the will but not the bandwidth? Can we show that UHD makes financial sense for a business? This video from the DVB Project and UltraHD Forum answers these questions.

Ian Nock takes the mic first and explains the UltraHD Forum’s role in the industry ahead of introducing Dolby’s Jason Power. Ian explains that the UltraHD Forum isn open organisation focused on all aspects of Ultra High Definition including HDR, Wide Colour Gamut (WCG), Next Generation Audio (NGA) and High Frame Rate (HFR). Jason Power is the chair of the DVB Commercial Module AVC. See starts by underlining the UHD-1 Phase 1 and Phase 2 specifications. Phase 1 defines the higher resolution and colour gamut, but phase 2 delivers higher frame rate, better audio and HDR. DVB works to produce standards that define how these can be used and the majority of UHD services available are DVB compliant.

On the topic of available services, Ben Schwarz takes the stand next to introduce the UltraHD Forum’s ‘Service Tracker‘ which tracks the UHD services available to the public around the world. Ben underlines there’s been a tripling of services available between 2018 to 2020. It allows you to order by country, look at resolution (from 2K to 8L) and more. Ben gives a demo and explains the future plans.

Paul Bray focusses on the global television set business. He starts looking at how the US and Europe have caught up with China in terms of shipments but the trend of buying a TV set – on average – an inch larger than the year before, shows little sign of abating. A positive for the industry, in light of Covid-19, is that the market is not predicted to shrink. Rather, the growth that was expected will be stunted. The US replaces TVs more often than other countries, so the share of TVs there which are UHD is higher than anywhere else. Europe still has a large proportion of people who are happy with 32″ TVs due to the size and HD is perfectly ok for them. Paul shows a great graph which shows the UHD Penetration of each market against the number of UHD services available. We see that Europe is notably in the lead and that China barely has any UHD services at all. Though it should be noted that Omdia are counting linear services only.

Graph showing UHD Penetration per geographical market Vs. Number of Linear UHD services in that Market

Graph showing UHD Penetration per geographical market Vs. Number of Linear UHD services.
Graph and Information ©Omdia

The next part of the video is a 40-minute Q&A which includes Virginie Drugeon who explains her work in defining the dynamic metadata that is sent to the receiver so that it can correctly adapt the picture, particularly for HDR, to the display itself. The Q&A covers the impacts of Covid-19, recording formats for delivery to broadcasters, bitrates on satellite, the UltraHD Forum’s foundational guidelines, new codecs within DVB, high frame rate content and many other topics.

Watch now!
Download the presentations
Speakers

Jason Power Jason Power
Chair of the DVB Commercial Module AVC Working Group
Commercial Partnerships and Standards, Dolby Laboratories
Ben Schwarz Ben Schwarz
Chair of Ultra HD Forum Communication Working Group
Paul Gray Paul Gray
Research Director,
Omdia
Virginie Drugeon Virginie Drugeon
Senior Engineer, Digital Standardisation,
Panasonic
Ian Nock Moderator:Ian Nock
Chair of the Interoperability Working Group of the Ultra HD Forum
Principal Consultant & Founder, Fairmile West

Video: RIST: Enabling Remote Work with Reliable Live Video Over Unmanaged Networks

Last week’s article on RIST, here on The Broadcast Knowledge, stirred up some interest about whether we view RIST as being against SRT & Zixi, or whether it’s an evolution thereof. Whilst the talk covered the use of RIST and the reasons one company chose to use it, this talk explains what RIST achieves in terms of features showing that it has a ‘simple’ and ‘main’ profile which bring different features to the table.

Rick Ackermans is the chair of the RIST Activity Group which is the group that develops the specifications. Rick explains some of the reasons motivating people to look at the internet and other unmanaged networks to move their video. The traditional circuit-based contribution and distribution infrastructure on which broadcasting relied has high fixed costs. Whilst this can be fully justifiable for transmitter links, though still expensive, for other ad-hoc circuits you are paying all the time for something which is only occasionally used, satellite space in the C-band is reducing squeezing people out. And, of course, remote working is much in the spotlight so technologies like RIST which don’t have a high latency (unlike HLS) are in demand.

RIST manages to solve many of the problems with using the internet such as protecting your content from theft and from packet loss. It’s a joint effort between many companies including Zixi and Haivision. The aim is to create choice in the market by removing vendor bias and control. Vendors are more likely to implement an open specification than one which has ties to another vendor so this should open up the market creating more demand for this type of solution.

In the next section, we see how RIST as a group is organised and who it fits in to the Video Services Forum, VSF. We then look at the profiles available in RIST. A full implementation aims at being a 3-layer onion with the ‘Simple Profile’ in the middle. This has basic network resilience and interoperability. On top of that, the ‘Main Profile’ is built which adds encryption, authentication and other features. The future sees an ‘Enhanced Profile’ which may bring with it channel management.

Rick then dives down into each of these profiles to uncover the details of what’s there and explain the publication status. The simple profile allows full RTP interoperability for use as a standard sender, but also adds packet recovery plus seamless switching. The Main profile introduces the use of GRE tunnels where a single connection is setup between two devices. Like a cable, multiple signals can then be sent down the cable together. From an IT perspective this makes life so much easier as the number of streams is totally transparent to the network so firewall configuration, for example, is made all the simpler. However it also means that by just running encryption on the tunnel, everything is encrypted with no further complexity. Encryption works better on higher bitrate streams so, again, running on the aggregate has a benefit than on each stream individually. Rick talks about the encryption modes with DTLS and Pre-shared Key being available as well as the all important, but often neglected, step of authenticating – ensuring you are sending to the endpoint you expected to be sending to.

The last part of the talk covers interoperability, including a comparison between RIST and SRT. Whilst there are many similarities, Rick claims RIST can cope with higher percentages of packet loss. He also says that 2022-7 doesn’t work with SRT, though The Broadcast Knowledge is aware of interoperable implementations which do allow 2022-7 to work even through SRT. The climax of this section is explaining the setup of the RIST NAB demo, a multi-vendor, international demo which proved the reliability claims. Rick finishes by examining some case studies and with a Q&A.

Watch now!
Speakers

Merrick Ackermans Rick Ackermans
MVA Broadcast Consulting
RIST Activity Group Chair

Video: Subjective and Objective Quality Assessment

Video quality is a key part of user experience, so understanding how different parts of your distribution chain can affect your video in different ways is an important factor ensuring continued quality in the service and quick fault finding where problems are reported.

Abdul Rehman from SSIMWAVE speaks at the Kitchener-Warterloo Video Technology Meetup explaining both subjective quality assessment where humans judge the quality of the video and objective quality assessments where computers analyse, often terabytes, of video to assess the quality.

Starting with a video showing examples of different problems that can occur in the chain, Abdul explains how many things can go wrong including lost or delayed data, incorrect content and service configuration checks. Display devices, nowadays, come in many shapes, sizes and resolutions which can, in turn, cause impairments with display as can the player and viewing conditions. These are only around half of the different possibilities which include the type of person – a golden eye, or a pure consumer.

In order to test your system, you may need test codecs and you will need test content. Abdul talks about subject rated databases which have images which have certain types of distortions/impairments. After seeing many examples of problem images, Abdul asks the question of who to deal with natural images which look similar or deliberate use, for creative purposes, of distorted videos.

Subjective video quality assessment is one solution to this since it uses people who are much better at detecting creative quality than computers. As such, this avoids many false positives where video may be judged as bad, but there is intent in the use. Moreover, it also represents direct feedback from your target group. Abdul talks through the different aspects of what you need to control for when using subjective video quality assessment in order to maximise its usefulness and allow results from different sessions and experiments to be directly compared.

This is to be compared against objective video quality assessment where a computer is harnessed to plough through the videos. This can be very effective for many applications meaning it can shine in terms of throughput and number of measurements. Additionally, it can make regression testing very easy. The negatives can be cost, false positives and sometimes speed – depending on the application. You then can take your pick of algorithms such as MS-SSIM, VMAF and others. Abdul finishes by explaining more about the benefits and what to look out for.

Watch now!
Speakers

Abdul Rehman Abdul Rehman
Cofounder, CEO and CTO,
SSIMWAVE

Video: News in the New Norm

Whilst television marches on despite the pandemic, whilst not to overlook the decimated sports broadcasters, the mantra is ‘the show must go on’ so everyone has been trying to find ways to make TV production safe, practical yet still good! There is so many practical issues behind the camera from the typical packed OB trucks to simple bathroom sharing in the office which needs to be considered. In this video, we hear from BBC News explaining how they have managed to reshape their production to keep the news reaching the public.

“It’s hard to do your job in these circumstances.”

Morwen Williams

Morwen Williams, Head of UK News Operations at the BBC, describes the news workflows that have been created to make the news work. The term ‘Zoom workflow’ is in the fore, in the same way as a ‘Dropbox workflow’ has, perhaps forever, changed many file-based workflows, for live production a ‘Zoom workflow’ is the same. Though Morwen is quick to point out the work is as much technological as practical with the need for ‘long poles’ to ensure social distancing for sound engineers and the like. Workflows have had to remove roles, such as vision mixing, or move people to otherwise spare galleries.

Morwen explains that within the mobile journalism team, there was a pilot last year to test how well an iPhone X would be able to capture real packages which had some good results which ran on the national news. This is just one example of how the technological groundwork to enable mobile journalism during this crisis was already being laid.

Meeting virtually has its advantages, we hear, because when you have a lot of staff physical space is hard to acquire at the best of times. Since attendance can never be 100%, it’s better to have meetings more frequently to give people a better chance of attending some. Whilst this is certainly no replacement for physically meeting with people, it is likely to be retained when that is again possible.

Robin Pembrooke then takes some time to explain the shifts in production that he’s seen. All of the digital teams are now working from home. 15,000 people went from the offices to working from home which was a fraught transition but with no major outages. Radio shows are often now being presented and run by the presenter themselves from home. Talkback now takes many forms whether that be WhatsApp or other more broadcast-focused talkback-over-broadband products.

Watch now!
Speakers

Morwen Williams Morwen Williams
Head of UK Operations,
BBC News
Robin Pembrooke Robin Pembrooke
Director, News Product and Systems,
BBC News