Now Available On Demand
UHD transmissions have been available for many years now and form a growing, albeit slow-growing, percentage of channels available. The fact that major players such as Sky and BT Sports in the UK, NBCUniversal and the ailing DirecTV in the US, see fit to broadcast sports in UHD shows that the technology is trusted and mature. But given the prevalence of 4K in films from Netflix, Apple TV+ streaming is actually the largest delivery mechanism for 4K/UHD video into the home.
Following on from last week’s DVB webinar, now available on demand, this webinar from the DVB Project replaces what would have been part of the DVB World 2020 conference and looks at the work that’s gone into getting UHD to were it is now in terms of developing HEVC (also known as H.265), integrating it into broadcast standards plus getting manufacturer support. It then finishes by looking at the successor to HEVC – VVC (Versatile Video Codec)
The host, Ben Swchwarz from the Ultra HD Forum, first introduces Ralf Schaefer who explores the work that was done in order to make UHD for distribution a reality. He’ll do this by looking at the specifications and standards that were created in order to get us where we are today before looking ahead to see what may come next.
Yvonne Thomas from the UK’s Digital TV Group is next and will follow on from Ben by looking at codecs for video and audio. HEVC is seen as the go-to codec for UHD distribution. As the uncompressed bitrate for UHD is often 12Gbps, HEVC’s higher compression ratio compared to AVC and relatively wide adoption makes it a good choice for wide dissemination of a signal. But UHD is more than just video. With UHD and 4K services usually carrying sports or films, ‘next generation audio‘ is really important. Yvonne looks at the video and audio aspects of delivering HEVC and the devices that need to receive it.
Finally we look at VVC, also known as H.266, the successor to HEVC, also known as H.265. ATEME’s Sassan Pejhan gives us a look into why VVC was created, where it currently is within MPEG standardisation and what it aims to achieve in terms of compression. VVC has been covered previously on The Broadcast Knowledge in dedicated talks such as ‘VVC, EVC, LCEVC, WTF?’, ‘VVC Standard on the Final Stretch’, and AV1/VVC Update.
Communication Working Group Chair,
Ultra HD Forum
VP Standards R&I
DTG (Digital TV Group)
In some parts of the industry UHD is entirely absent. Thierry Fautier is here to shine a light on the progress being made around the globe in deploying UHD.
Thierry starts off by defining terms – important because Ultra HD actually hides several, often unmentioned, formats behind the term ‘UHD’. This also shows how all of the different aspects of UHD, which include colour (WCG), HDR, audio (NGA) and frame rate to name only a few, fit together.
There’s then a look at the stats, where is HDR deployed? How is UHD typically delivered? And the famed HDR Venn diagram showing which TVs support which formats.
As ever, live sports is a major testing ground so the talk examines some lessons learnt, and features a BBC case study, from the 2018 World Cup. Not unrelated, there is a discussion on the state of UHD streaming including discussion of CMAF.
Leading nicely onto Content Aware Encoding (CAE), which was also in use at the world cup.
Free registration required
President-Chair, Ultra HD Forum
VP Video Strategy, Harmonic
From Sky’s 2018 Tech Summit, we hear from across the industry about the activities the industry is engaged in to improve television and move it into the future.
Chris Johns, from Sky, starts by walking us through the current advances in TV; delivery methods, choice, and advances in video and audio.
Ian Nock from the UltraHD Forum, gives us the low-down on where UHD displays are heading, the inter-op work being spearheaded by the UHD Forum and specifications being agreed to bring technologies like HDR and Dolby Atmos into our homes.
Carys Hughes from Sky, explains her work ensuring that lip sync keeps pace with recent technology and remains at 0ms.
Phil Layton from BBC R&D takes us through the live UHD events the BBC has been doing, showing us how they have been steaming live.
Gill Reston also explains what the DPP has been doing in the industry particularly with IMF.
Chief Engineer, Broadcast Strategy,
Chair of the Ultra HD Forum Interop-WG
Founder of Fairmile West
Design Engineer (Emerging Technologies)
Head of Broadcast & Connected Systems,
BBC Research & Development
Senior Project Manager,