Video: JPEG XS and SMPTE ST 2110 for IPMX

Both broadcast and professional AV are undergoing a transition to IP. For Pro-AV, the benefits are similar to those for Broadcast such as less cabling, cables are bi-directional and reduced space. But for Pro-AV, there is a big incentive to re-use CAT5e cabling unlike the typical SMPTE 2110 deployments which are on 10 gig cabling.

Jean-Baptiste Lorent from intoPIX explains how JPEG XS helps enable cable reuse and, at the same time, brings the advantages of open interoperability and IP to the Pro-AV market. JPEG-XS is a light compression codec which minimises latency. JPEG XS, explains Jean-Baptiste, started in 2016 with light compression format TICO which, working with the JPEG committee has become JPEG-XS. intoPIX have blinded tests showing that at a 10:1 compression ratio, there is no difference observable between the uncompressed source and the JPEG-XS encoder.

Whilst the practical benefits of JPEG-XS are discussed in this talk from Nevion, Laurent outlines that JPEG-XS has a low computational overhead, 0.1 milliseconds encode to decoder.

A very interesting feature is the embedded downscaling meaning if you sent an 8K image as JPEG-XS, a decoder need only decode a UHD or HD resolution version of it – without having to do a computationally expensive downconversion to the desired resolution after having decoded the whole thing 8K image. Jean-Baptiste suggests this would be ideal for devices such as multiviewers which typically show images at much lower than their native resolution.

Looking again at the idea of 1Gbe cable reuse, Jean-Baptiste looks at the data rates achievable with JPEG-XS. HD video under JPEG-XS is 150-390Mbps allowing 2 or more HDs per 1Gbe Cat 5e cable. Using Cat 6 or Cat 5e to run 10Gbe (up to around 40m) allows up to four 8K streams. So it’s practical to use existing infrastructure.

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Speakers

Jean-Baptiste Lorent Jean-Baptiste Lorent
Director Marketing & Sales,
intoPIX sa

Video: JPEG XS in Action for IP Production

JPEG XS is a new intra-frame compression standard delivering JPEG 2000 quality with 1000x lower latency – microseconds instead of milliseconds. This codec provides relatively low bandwidth (visually lossless compression at ratio of 10:1) with very-low and fixed latency, which makes it ideal for remote production of live events.

In this video Andy Rayner from Nevion shows how JPEG XS fits in all-IP broadcast technology with SMPTE ST 2110-22 standard. Then he presents the world’s first full JPEG-XS deployment for live IP production created for a large sports broadcaster. It was designed for pan-European WAN operation and based on ST 2110 standard with ST 2022-7 protection.

Andy discusses challenges of IP to IP processing (ST 2110-20 to ST 2110-22 conversion) and shows how to keep video and audio in sync through the whole processing chain.

This presentation proves that JPEG-XS is working, low latency distributed production is possible and the value of the ST2110-22 addition to the 2110 suite.

You can see the slides here.

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Speaker

Andy Rayner Andy Rayner
Chief Technologist
Nevion Ltd.

Video: Transporting ST 2110 Over WAN

Is SMPTE ST 2110 suitable for inter-site connectivity over the WAN? As ST 2110 continues to mature and the first facilities are going live bringing 2110 into daily use, there are a number of challenges still to be overcome and moving a large number of essence flows long distances and between PTP time domains is one of them.

Nevion’s Andy Rayner presents the work the VSF is doing to recommend transport of ST 2110 over WAN outlining where they have got to and what has been recommended to date.

The talk starts with SMPTE 2022-7 seamless protection which is recommended for dealing with path breaks. For compensating for transmission errors, FEC is recommended and Andy explains the parameters needed.

Key to the inter-site transport is trunking whereby the individual essences are mixed down to one flow. This has a number of advantages: Reducing the number of flows makes life simpler for service providers, all essences will now share the same signal path from site to site and it FEC protection can be more efficiently applied.

The trunks are made using GRE – Generic Routing Encapsulation – which is a pre-existing IT standard for grouping lots of traffic into a single tunnel whilst preserving the data inside. This then appears at the other end of the trunk with the same IP information as if nothing had happened. Andy looks at the extra encapsulation headers needed to make this work and goes on to discuss payload lengths as we need to keep them short so as not to result in fragmented packets.

Timing, as ever, is important meaning that the recommendation is to align all essences before sending them in to the trunk, though Andy looks at alternatives. Also of key concern is compression as there will be times when uncompressed video is simply too high a bandwidth to be carried on the WAN. JPEG 2000 and, now, JPEG XS are available for this task.

Andy covers timing, discovery, control, security and conversion to and from 2022-6 before finishing the talk by taking questions.

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Speaker

Andy Rayner Andy Rayner
Chief Technologist,
Nevion

Video: JPEG-XS and ST 2110

JPEG XS is a brand-new, ultra-low latency standard delivering JPEG 2000 quality with 1000x lower latency; microseconds instead of milliseconds. This mezzanine compression standard promises compression ratios of up to 10:1, resolutions of up to 8K plus HDR and features frame rates from 24 to 120 fps.

Jean-Baptiste Lorent from intoPIX shows how JPEG-XS can be used with SMPTE ST-2110 stack. Part -22 of ST 2110 allows for transport of compressed video essence as an alternative to uncompressed essence – all the other elementary streams stay the same, just the video RTP payload changes. This approach saves a lot of bandwidth and keeps all the existing advantages of moving from SDI to IP at the same time.

Based on TICO which arrived in products four or more years ago allowing HD products to support UHD workflows, JPEG XS was also designed for visually lossless quality and maintaining that quality over multiple re-encoding stages. The combination of very-low microsecond-latency and relatively low bandwidth makes it ideal for remote production of live events.

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Speaker

Jean-Baptiste Lorent Jean-Baptiste Lorent
Director Marketing & Sales
intoPIX