A meeting of experienced minds here at the Pittsburgh SMPTE section talking about the opportunities and challenges of ST-2110. Phil Myers from Lawo talks optimistically about the challenges that can and often have been solved in implementing 2110 whether that be network infrastructure or timing, giving a good primer on the whole topic as he starts the session.
Hugo Gaggioni from Sony, talks about NMOS, explaining what AMWA does and the difference between their IS-04,05 and 06 specifications.
Karl Kuhn from Tektronix then discusses packet pacing, PTP and network architectures. He then looks at how to monitor PTP and see it is working well.
With the panel session at the end, joined by Dan Turk from NEP, there is a free-ranging discussion covering some of the following topics:
Control of IP networks
The limits of IP
True non-blocking switches
Break-even points of IP systems
Split essences & dropping blanking
Network planning for UHD
Handling loss of network on PTP implementations
plus much more!
We’re all starting to get the hang of the basics: that PTP is the new Black and Burst, that we still need sync to make studios work and that PTP (IEEE1588) is standardised under ST 2059 for use in the broadcast industry. So given its importance, how can we make it redundant?
Thomas Kernen from Mellanox and Chair within the STMPE standards community takes about his real-lift work on implementing PTP with an eye on redundancy methods
Following on from last week’s post part II is here. Wes Simpson looks at use of IP in Remote Production/Remote Integration (REMI) and finished with a panel discussion including Newtek and Grass Valley, a Belden brand.
This video talks about:
Why Broadcasters need networking?
Typical Live remote sports broadcast roles
Overview of video & audio Signal types
HDR & Wide Colour Gamut (WCG)
Data (metadata, scripts etc)
REMI – Remote Integration, AKA ‘Remote Production’ in Europe.
Overview of what tasks can be done at base, what still needs to be done ‘on-site’