Video: The Past, Present and Future of AV1

AV1 has strong backing from tech giants but is still seldom seen in the wild. Find out what the plans are for the future with Google’s Debargha Mukherjee.

Debargha’s intent in this talk is simple: to frame a description of what AV1 can do and is doing today in terms of the history of the codec and looking forward to the future and a potential AV2.

The talk starts by demonstrating the need for better video codecs not least of which is the statistic that by 2021, 81% of the internet’s traffic is expected to be video. But on top of that, there is a frustration with the slow decade-long refresh process which is traditional for video codecs. In order to match the new internet landscape with fast-evolving services, it seemed appropriate to have a codec which, not only delivered better encoding but also saw a quicker five-year refresh cycle.

As a comparison to the royalty-free AV1, Debargha then looks at VP9 it is deployed. Furthermore, VP10 who’s development was stopped and diverted into the AV1 effort which is then the topic for the next part of the talk; the Alliance for Open Media, the standardisation process and then a look at some of the encoding tools available to archive the stated aims.

To round off the description of what’s presently happening with AV1 trials of VP9, HEVC and AV1 are shown demonstrating AV1s ability to improve compression for a certain quality. Bitmovin and Facebook’s tests are also highlighted along with speed tests.

Looking, now, to the future, the talk finishes by explaining the future roadmap for hardware decoding and other expected milestones in the coming years plus the software work such as SVT-AV1 and DAV1D for optimised encoding and decoding. With the promised five-year cycle, we need to look forward now to AV2 and Debargha discusses what it might be and what it would need to achieve.

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Speaker

Debargha Mukherjee Debargha Mukherjee
Principal Software Engineer,
Google

Video: Get Ready For A Multiple Codec World

The codec world is fragmenting. None of the new entrants on to the market is expected to ever gain the universal status that AVC enjoys. This panel from Streaming Media East takes a look at how to prepare for this.

The panel kicks off discussing the differences between AVC and HEVC, VP9 and AV1 and moves on to discuss the pros and cons of supporting multiple codecs. Tarek from Twitch explains its partial adoption of VP9 – the reasons that it makes sense but the overheads which it brings the business.

Vittorio Giovara from Vimeo explains their reasons for using HEVC including their drive to be able to encode and deliver 10-bit video. Ellation’s Subhrendu Sarakar makes the point that managing codec changes and bitrate changes needs to be done carefully to ensure viewers that notice the change understand them and don’t feel there has been a reduction of quality.

After a brief discussion of encoding strongly characterised video types such as anime and gaming, the conversation moves on to AV1 and migrating from VP9 and there is an audience question on HEVC licensing and the lack of use of SVC (Scalable Video Coding)

It’s now relatively well known that Twitch deployed VP9 using FPGAs rather than as a software encoder which was the only way to get the real-time speed at 1080p60. The panel discusses encoding speed both in the encoder and decoder for VP9 and AV1 then finishes with a Q&A from the audience.

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Speakers

Tim Siglin Tim Siglin
Founding Executive Director
Help Me! Stream
Tarek Amara Tarek Amara
Principal Video Specialist,
Twitch
Vittorio Giovara Vittorio Giovara
Senior Engineer, Video Encoding
Vimeo
Nathan Egge Nathan Egge
Video Codec Engineer,
Mozilla
Subhrendu Sarkar Subhrendu Sarkar
Senior Engineering Manager, Video Infrastructure & CMS,
Ellation

Video: VP9 Transcoding for Live eSports Broadcast

VP9 is a well-known codec, but it hasn’t seen many high-profile, live deployments which makes Twitch’s move to deliver their platform using VP9 in preference over AVC all the more interesting.

Here, Yueshi Shen from Twitch, explains the rationale for VP9 by explaining the scale of Twitch and looking at their AVC bitrate demands. He explains the patent issues with HEVC and VP9 then looks at decoder support across devices and platforms. Importantly, encoder implementation is examined leading to Twitch’s choice of FPGA to provide live encoding.

Yueshi then looks at the potential of AV1 to Switch_Frame to provide low-latency broadcast at scale.

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Speaker

Yueshi Shen Yueshi Shen
Principal (Level 7) Research Engineer & Engineering Manager,
Twitch

Video – Live Streaming with VP9 at Twitch TV

Tarek Amara from Twitch explains their move from a single codec (H.264) to multiple codecs in order to provide viewers an optimal viewing experience.

In this session, Tarek shares findings on VP9’s suitability for live streaming and the technical and industrial challenges such move involves. Covering:

  • VP9 encoding performance,
  • Device and player support,
  • Bandwidth savings,
  • The role of FPGAs
  • plus an overview of how the transcoding platform need to change to enable VP9 encoding and delivery at scale.

This presentation is from the Video Engineering Summit at Streaming Media West 2018.

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Speaker

Tarek Amara Tarek Amara
Senior Video Specialist,
Twitch TV/Amazon