Video: 2019 What did I miss? – Introducing Reliable Internet Streaming Transport

By far the most visited video of 2019 was the Merrick Ackermans’ review of RIST first release. RIST, the Reliable Internet Stream Transport protocol, aims to be an interoperable protocol allowing even lossy networks to be used for mission-critical broadcast contribution. Using RIST can change a bade internet link into a reliable circuit for live programme material, so it’s quite a game changer in terms of cost for links.

An increasing amount of broadcast video is travelling over the public internet which is currently enabled by SRT, Zixi and other protocols. Here, Merrick Ackermans explains the new RIST specification which aims to allow interoperable internet-based video contribution. RIST, which stands for Reliable Internet Stream Transport, ensures reliable transmission of video and other data over lossy networks. This enables broadcast-grade contribution at a much lower cost as well as a number of other benefits.

Many of the protocols which do similar are based on ARQ (Automatic Repeat-reQuest) which, as you can read on wikipedia, allows for recovery of lost data. This is the core functionality needed to bring unreliable or lossy connections into the realm of usable for broadcast contribution. Indeed, RIST is an interesting merging of technologies from around the industry. Many people use Zixi, SRT, and VideoFlow all of which can allow safe contribution of media. Safe meaning it gets to the other end intact and un-corrupted. However, if your encoder only supports Zixi and you use it to deliver to a decoder which only supports SRT, it’s not going to work out. The industry as accepted that these formats should be reconciled into a shared standard. This is RIST.

File-based workflows are mainly based on TCP (Transmission Control Protocol) although, notably, some file transfer service just as Aspera are based on UDP where packet recovery, not unlike RIST, is managed as part of the the protocol. This is unlike web sites where all data is transferred using TCP which sends an acknowledgement for each packet which arrives. Whilst this is great for ensuring files are uncorrupted, it can impact arrival times which can lead to live media being corrupted.

RIST is being created by the VSF – the Video Standards Forum – who were key in introducing VS-03 and VS-04 into the AIMS group on which SMPTE ST 2022-6 was then based. So their move now into a specification for reliable transmission of media over the internet has many anticipating great things. At the point that this talk was given the simple profile has been formed. Whist Merrick gives the details, it’s worth pointing out that this doesn’t include intrinsic encryption. It can, of course, be delivered over a separately encrypted tunnel, but an intrinsic part of SRT is the security that is provided from within the protocol.

Despite Zixi, a proprietary solution, and Haivision’s open source SRT being in competition, they are both part of the VSF working group creating RIST along with VideoFlow. This is because they see the benefit of having a widely accepted, interoperable method of exchanging media data. This can’t be achieved by any single company alone but can benefit all players in the market.

This talk remains true for the simple profile which just aims to recover packets. The main protocol, as opposed to ‘simple’, has since been released and you can hear about it in a separate video here. This protocol adds FEC, encryption and other aspects. Those who are familiar with the basics may whoosh to start there.

Speaker

Merrick Ackermans Merrick Ackermans
Chair,
VSF RIST Activity Group

Video: 2019 What did I miss? HDR Formats and Trends

The second most popular video of 2019 looked at HDR. A long promised format which routinely wows spectators at conferences and shops a like is increasingly seen, albeit tentatively, in the wild. For instance, this Christmas UK viewers were able to watch HDR Premiership football in HDR with Amazon Prime, but only a third of the matches benefitted from the format. Whilst there are many reasons for this, many of them due to commercial and practical reasons rather than technical reasons, this is an important part of the story.

Brian Alvarez from Amazon Prime Video goes into detail on the background and practicalities of HDR in this talk given at the Video Tech Seattle meet up in August, part of the world-wide movement of streaming video engineers who meet to openly swap ideas and experiences in making streaming work. We are left with a not only understanding HDR better, but with a great insight into the state of the consumer market – who can watch HDR and in what format – as well as who’s transmitting HDR.

Read more about the video or just hit play below!

If you want to start from the beginning on HDR, check out the other videos on the topic. HDR relies on both the understanding of how people see, the way we describe colour and light, how we implement it and how theworkflows are modified to suit. Fortunately, you’re already at the one place that brings all this together! Explore, learn and enjoy.

Speaker

Brian Alvarez Brian Alvarez
Principal Product Manager,
Amazon Prime Video

Video: 2019 What did I miss? Comparing AV1, VP9, HEVC, & H.264

The ever popular, always analytical Jan Ozers spends time here evaluating the quality of these codecs against the ever-present h.264. As the team here at The Broadcast Knowledge takes a short break, we’re recapping the most popular posts of the year. Interestingly, this post is from over a year ago but is still seeing top-10 traffic. This is no surprise since, as I said in my interview with SMPTE on the subject of codecs, everyone touches codecs in some way even if only at home. So it’s no surprise there is such an interest.

Jan takes a careful approach to explaining the penetration adn abilities of h.264 in order to see at what point we can break even and start to ebenefit from using alternative codecs. He then takes each codec in turn looking at it its pros and cons to paint a picture of the options available for those willing and able to go beyond h.264.

Read the original article or Watch now!
Speakers

Jan Ozer Jan Ozer
Industry Analyst
Streaming Learning Center

Video: 2019 What did I miss? – SRT

We’re looking at the most popular posts of 2019 now as The Broadcast Knowledge takes a break over the holiday season. Twitch’s Alex Converse had one of the most visited posts of the year in his video detailing how SRT works. It’s a great technical resource for developers and engineers wanting to understand more than just the highlights of SRT. Did it do well because it was Alex? Because the San Francisco’s Video Tech meet up is a well known part of Demuxed’s community for ‘engineers working with video’ or because its title? Any or all of these could be true and it wouldn’t invalidate it’s usefulness or its popularity. So if you haven’t already, read more about it here, or click play below.

Another SRT talk of interest this year you may want to catch up on was the IBC SRT Open Source Technical panel which looked at the general SRT features and looked at the pros and cons against SRT. The panel looked at a case study with Red Bee Media and South American broadcaster Globo and the use of RTP and SRT together. Read more detail here or click here to watch for free

Speaker

Alex Converse Alex Converse
Streaming Video Software Engineer,
Twitch