Video: IP Systems – The Big Picture

Early adopters of IP are benefiting from at least one of density, flexibility and scalability which are some of the promises of the technology. For OB vans, the ability to switch hundreds of feeds within only a couple rack units is incredibly useful, for others being able to quickly reconfigure a room is very valuable. So whilst IP isn’t yet right for everyone, those that have adopted it are getting from it benefits which SDI can’t deliver. Unfortunately, there are aspects of IP which are more complex than older technology. A playback machine plugged into an SDI router needed no configuration. However, the router and control system would need to be updated manually to say that a certain input was now a VT machine. In the IP world, the control system can discover the new device itself reducing manual intervention. In this situation, the machine also needs an IP configuration which can be done manually or automatically. If manual, this is more work than before. If automatic, this is another service that needs to be maintained and understood.

 

 

Just like the IT world is built on layers of protocols, standards and specifications, so is a modern broadcast workflow. And like the OSI model which helps break down networking into easy to understand, independent layers such as cabling (layer 1), point to point data links (layer 2), the network layer (3) etc. It’s useful to understand IP systems in a similar way as this helps reduce complexity. The ‘Networked Media System Big Picture’ is aimed at helping show how a professional IP media system is put together and how the different parts of it are linked – and how they are not linked. It allows a high-level view to help explain the concepts and enables you to add detail to explain how each and every protocol, standard and specification are used and their scope. The hope is that this diagram will aid everyone in your organisation to speak in a common language and support conversations with vendors and other partners to avoid misunderstandings.

Brad Gilmer takes us through the JT-NM’s diagram which shows that security is the bottom layer for the whole system meaning that security is all-encompassing and important to everything. Above the security layer is the monitoring layer. Naturally, if you can’t measure how the rest of your system is behaving, it’s very hard to understand what’s wrong. For lager systems, you’ll be wanting to aggregate the data and look for trends that may point to worsening performance. Brad explains that next are the control layer and the media & infrastructure layer. The media and infrastructure layer contains tools and infrastructure needed to create and transport professional media.

Towards the end of this video, Brad shows how the diagram can be filled in and highlighted to show, for instance, the work that AMWA has done with NMOS including work in progress. He also shows the parts of the system that are within the scope of the JT-NM TR 1001 document. These are just two examples of how to use the diagram to frame and focus discussions demonstrating the value of the work undertaken.

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Speaker

Brad Gilmer Brad Gilmer
Executive Director, Video Services Forum
Executive Director, Advanced Media Workflow Association (AMWA)
Wes Simpson Moderator: Wes Simpson
LearnIPVideo.com

Video: A Frank Discussion of NMOS

What NMOS isn’t is almost as important as what NMOS actually is when it comes to defining a new project implementing SMPTE ST 2110. Written by AMWA, NMOS is a suite of open specifications which help control media flow hence the name: Network Media Open Specifications. Typically NMOS specifications are used alongside the ST 2110 standards but in this hype-free panel, we hear that 2110 isn’t the only application of NMOS.

AMWA Executive Director Brad Gilmer introduces this ‘frank’ panel with Imagine’s John Mailhot explaining the two meanings ‘NMOS’ has. The first is the name of the project we have just introduced in this article. The second is as shorthand for the two best-known specifications created by the project, IS-04 and IS-05. Together, these allow new devices to register their availability to the rest of the system and to receive instructions regarding sending media streams. There are plenty of other specifications which are explained in this talk of which two more are mentioned later in this video: IS-08 which manages audio channel mapping and IS-09 which allows new devices to get a global configuration to automatically find out facts like their PTP domain.

 

 

Security is “important and missing previously,” says Jed Deame from Nextera but explains that since NMOS is predominantly a specification for HTTP API calls, there is nothing to stop this from happening as HTTPS or another protocol as long as it provides both encryption and authorisation. The panel then explores the limits of the scope of NMOS. For security, its scope is to secure the NMOS control traffic, so doesn’t stretch to securing the media transport or, say, PTP. Furthermore, for NMOS as a whole, it’s important to remember it defines control and not more than control. Brad says, though, that even this scope is ambiguous as where does the concept of ‘control’ stop? Is a business management system control? What about scheduling of media? Triggering playback? There have to be limited.

Imagine Communications’ John Mailhot explores the idea of control asking how much automation, and hence NMOS-style control, can help realise one of the promises of IP which is to reduces costs by speeding up system changes. Previously, Brad and John explain, changing a studio from doing NFL to doing NHL may take up to a month of rewiring and reprogramming. Now that rewiring can be done in software, John contends that the main task is to make sure the NMOS is fully-fledged enough to allow interoperable enumeration, configuration and programming of links within the system. The current specifications are being reinforced by ‘modelling’ work whereby the internal logical blocks of equipment, say an RGB gain control, can be advertised to the network as a whole rather than simply advertising a single ‘black box’ like an encoder. Now it’s possible to explain what pre and post-processing is available.

Another important topic explored by NVIDIA’s Richard Hastie and Jeremy Nightingale from Macnica, is the use of NMOS specifications outside of ST 2110 installations. Richard says that NVIDIA is using NMOS in over 200 different locations. He emphasises its use for media whether that be HEVC, AV1 or 2110. As such, he envisages it being used by ‘Twitch streamers’ no doubt with the help of the 2110-over-WAN work which is ongoing to find ways to expose NMOS information over public networks. Jeremy’s interest is in IPMX for ProAV where ‘plug and play’ as well as security are two of the main features being designed into the package.

Lastly, there’s a call out to the tools available. Since NMOS is an open specification project, the tools are released as Open Source which companies being encouraged to use the codebase in products or for testing. Not only is there a reference client, but Sony and BBC have released an NMOS testing tool and EasyNMOS provides a containerised implementation of IS-04 and IS-05 for extremely quick deployments of the toolset.

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Speakers

Brad Gilmer Brad Gilmer
Executive Director, Video Services Forum
Executive Director, Advanced Media Workflow Association (AMWA)
John Mailhot John Mailhot
CTO Networking & Infrastructure
Jed Deame Jed Deame
CEO,
Nextera Video
Richard Hastie Richard Hastie
Senior Sales Director,
NVIDIA
Jeremy Nightingale
President
Macnica Americas, Inc.

Video: How to Deploy an IP-Based Infrastructure

An industry-wide move to any new technology takes time and there is a steady flow of people new to the technology. This video is a launchpad for anyone just coming into IP infrastructures whether because their company is starting or completing an IP project or because people are starting to ask the question “Should we go IP too?”.

Keycode Media’s Steve Dupaix starts with an overview of how SMPTE’s suite of standards called ST 2110 differs from other IP-based video and audio technologies such as NDI, SRT, RIST and Dante. The key takeaways are that NDI provides compressed video with a low delay of around 100ms with a suite of free tools to help you get started. SRT and RIST are similar technologies that are usually used to get AVC or HEVC video from A to B getting around packet loss, something that NDI and ST 2110 don’t protect for without FEC. This is because SRT and RIST are aimed at moving data over lossy networks like the internet. Find out more about SRT in this SMPTE video. For more on NDI, this video from SMPTE and VizRT gives the detail.

 

 

ST 2110’s purpose is to get high quality, usually lossless, video and audio around a local area network originally being envisaged as a way of displacing baseband SDI and was specced to work flawlessly in live production such as a studio. It brings with it some advantages such as separating the essences i.e. video, audio, timing and ancillary data are separate streams. It also brings the promise of higher density for routing operations, lower-cost infrastructure since the routers and switches are standard IT products and increased flexibility due to the much-reduced need to move/add cables.

Robert Erickson from Grass Valley explains that they have worked hard to move all of their product lines to ‘native IP’ as they believe all workflows will move IP whether on-premise or in the cloud. The next step, he sees is enabling more workflows that move video in and out of the cloud and for that, they need to move to JPEG XS which can be carried in ST 2110-20. Thomas Edwards from AWS adds their perspective agreeing that customers are increasingly using JPEG XS for this purpose but within the cloud, they expect the new CDI which is a specification for moving high-bandwidth traffic like 2110-20 streams of uncompressed video from point to point within the cloud.

John Mailhot from Imagine Communications is also the chair of the VSF activity group for ground-cloud-cloud-ground. This aims to harmonise the ways in which vendors provide movement of media, whatever bandwidth, into and out of the cloud as well as from point to point within. From the Imagine side, he says that ST 2110 is now embedded in all products but the key is to choose the most appropriate transport. In the cloud, CDI is often the most appropriate transport within AWS and he agrees that JPEG XS is the most appropriate for cloud<->ground operations.

The panel takes a moment to look at the way that the pandemic has impacted the use of video over IP. As we heard earlier this year, the New York Times had been waiting before their move to IP and the pandemic forced them to look at the market earlier than planned. When they looked, they found the products which they needed and moved to a full IP workflow. So this has been the theme and if anything has driven, and will continue to drive, innovation. The immediate need provided the motivation to consider new workflows and now that the workflow is IP, it’s quicker, cheaper and easier to test new variation. Thomas Edwards points out that many of the current workflows are heavily reliant on AVC or HEVC despite the desire to use JPEG XS for the broadcast content. For people at home, JPEG XS bandwidths aren’t practical but RIST with AVC works fine for most applications.

Interoperability between vendors has long been the focus of the industry for ST 2110 and, in John’s option, is now pretty reliable for inter-vendor essence exchanges. Recently the focus has been on doing the same with NMOS which both he and Robert report is working well from recent, multi-vendor projects they have been involved in. John’s interest is working out ways that the cloud and ground can find out about each other which isn’t a use case yet covered in AMWA’s NMOS IS-04.

The video ends with a Q&A covering the following:

  • Where to start in your transition to IP
  • What to look for in an ST 2110-capable switch
  • Multi-Level routing support
  • Using multicast in AWS
  • Whether IT equipment lifecycles conflict with Broadcast refresh cycles
  • Watch now!
    Speakers

    John Mailhot John Mailhot
    CTO & Director of Product Management, Infrastructure & Networking,
    Imagine Communications
    Ciro Noronha Ciro Noronha
    Executive Vice-President of Engineering,
    Cobalt Digital
    Thomas Edwards Thomas Edwards
    Principal Solutions Architect & Evangelist,
    Amazon Web Services
    Robert Erickson Robert Erickson
    Strategic Account Manager Sports and Venues,
    Grass Valley
    Steve Dupaix Steve Dupaix
    Senior Account Executive,
    Key Code Media

    Video: ST-2110 – Measuring and Testing the Data, Control and Timing Planes

    An informal chat touching on the newest work around SMPTE ST-2110 standards and related specifications in today’s video. The industry’s leading projects are now tracking the best practices in IT as much as the latest technology in IP because simply getting video working over the network isn’t enough. Broadcasters demand solutions which are secure from the ground up, easy to deploy and have nuanced options for deployment.

    Andy Rayner from Nevion talks to Prin Boon from Phabrix to understand the latest trends. Between then, Andy and Prin account for a lot of activity in standards work within standards and industry bodies such as SMPTE, VSF and JT-NM to name a but a few, so whom better to hear from regarding the latest thinking and ongoing work.

    Andy starts by outlining the context of SMPTE’s ST-2110 suite of standards which covers not only the standards within 2110, but also the NMOS specifications from AMWA as well as the timing standards (SMPTE 2059 and IEEE 1588). Prin and Andy both agree that the initial benefit of moving to IT networking was benefiting from the massive network switches which now delivering much higher switching density than SDI ever could or would, now the work of 2110 projects is also tracking IT, rather than simply IP. By benefiting from the best practices of the IT industry as a whole, the broadcast industry is getting a much better product. Andy makes the point that broadcast-uses have very much pushed fabric manufacturers to implement PTP and other network technologies in a much more mature and scalable way than was imagined before.

    Link to video

    The focus of conversation now moves to the data, control and timing plane. The data plane contains the media essences and all of the ST 21110 standards. Control is about the AMWA/NMOS specs such as the IS-0X specs as well as the security-focused BCP-003 and JT-NM TR-1001. Timing is about PTP and associated guidelines.

    Prin explains that in-service test and measurement is there to give a feeling for the health of a system; how close to the edge is the system? This is about early alerting of engineering specialists and then enable deep faultfinding with hand-held 2110 analysers. Phabrix, owned by Leader, are one of a number of companies who are creating monitoring and measurement tools. In doing this Willem Vermost observed that little of the vendor data was aligned so couldn’t be compared. This has directly led to work between many vendors and broadcasters to standardise the reported measurement data in terms of how it’s measured and how it is named and is being standardised under 2110-25. This will cover latency, video timing, margin and RTP offset.

    More new work discussed by the duo includes the recommended practice, RP 2059-15 which is related to the the ST 2059 standards which apply PTP to media streams. As PTP, also known as IEEE 1588 has been updated to version 2.1 as part of the 2019 update, this RP creates a unified framework to expose PTP data in a structured manner and relies on RFC 8575 which, itself, relies on the YANG data modeling language.

    We also hear about work to ensure that NMOS can fully deal with SMPTE 2022-7 flows in all the cases where a receiver is expecting a single or dual feed. IS-08 corner cases have been addressed and an all-encompassing model to develop against has been created as a reference.

    Pleasingly, as this video was released in December, we are treated to a live performance of a festive song on piano and trombone. Whilst this doesn’t progress the 2110 narrative, it is welcomed as a great excuse to have a mine pie.

    Watch now!
    Speakers

    Andy Rayner Andy Rayner
    Chief Technologist,
    Nevion
    Prinyar Boon Prinyar Boon
    Product Manager,
    PHABRIX