Video: LCEVC – The Latest MPEG Standard

Video is so pervasive in our world that we need to move past thinking of codecs and compression being about reducing bitrate. That will always be a major consideration, but speed of compression and the computation needed can also be deal breakers. Millions of embedded devices need to encode video which don’t have the grunt available to the live AV1-encoding clusters in the cloud. Further more, the structure of the final data itself can be important for later processing and decoding. So we can see how use-cases can arise out needs of various industries, far beyond broadcast, which mean that codecs need to do more than make files small.

This year LCEVC from MPEG will be standardised. Called Low Complexity Enhancement Video Coding, this codec provides compression both where computing is constrained and where it is plentiful. Guido Meardi, CEO of V-Nova, talks us through what LCEVC is starting with a chart showing how computation has increased vastly as compression has improved. It’s this trend that this codec intends to put an end to by adding, Guido explains, an enhancement layer over some lower-resolution video. By encoding a lower-resolution, computational processing is minimised. When displayed, an enhancement layer allows this low resolution video to be sharpened again to bring it back to the original.

After demonstrating the business benefits, we see the block diagram of the encoder and decoder which helps visualise how this enhancement might be calculated and work. Guido then shows us what the enhancement layer looks like – a fairy flat image with lots of thin edges on it but, importantly, it also captures a lot of almost random detail which can’t be guessed by upsamplers. This, of course, is the point. If it were possible to upscale the low-resolution video and guess/infer all the data, then we would always do that. Rather, downscaling and upscaling is a lossy process. Here, that loss is worth it because of the computational gains and because the enhancement layer will put back much of what was once lost.

In order to demonstrate LCEVC’s ability, Guido shows graphs comparing LCEVC at UHD for x264 showing improvements of between 20 and 45% and image examples of artefacts which are avoided using LCEVC. We then see that when applied to AVC, HEVC and VVC it speeds up encodes at least two fold. Guido finishes this presentation showing how you can test out the encoder and decoder yourself.

The last segment of this video, Tarek Amara from Twitch sits down to talk with Guido about the codec and the background behind it. Their talk covers V-Nova’s approach to open source, licensing, LCEVC’s gradual improvements as it went through the proving process as part of MPEG standardisation plus questions from the floor.

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Speakers

Guido Meardi Guido Meardi
CEO & Co-Founder,
V-Nova
Tarek Amara Tarek Amara
Principal Video Specialist,
Twitch

Video: Deploying CMAF In 2019

It’s all very good saying “let’s implement CMAF”, but what’s implemented so far and what can you expect in the real world, away from hype and promises? RealEyes took the podium at the Video Engineering Summit to explain.

CMAF represents an evolution of the tried and tested technologies HLS and DASH. With massive scalability and built upon the well-worn tenants of HTTP, Netflix and a whole industry was born and is thriving on these still-evolving technologies. CMAF stands for the Common Media Application Format because it was created to allow both HLS and DASH to be implemented in one common standard. But the push to reduce latency further and further has resulted in CMAF being better known for it’s low-latency form which can be used to deliver streams with five to ten times lower latencies.

John Gainfort tackles explaining CMAF and highlights all the non-latency-related features before then tackling its low-latency form. We look at what it is (a manfest) and where it came from (ISO BMFF before diving in to the current possibilities and the ‘to do list’ of DRM.

Before the Q&A, John then moves on to how CMAF is implemented to deliver low-latency stream: what to expect in terms of latency and the future items which, when achieved, will deliver the full low-latency experience.

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Speaker

John Gainfort John Gainfort.
Development Manager,
RealEyes

Video: AV1/VVC Update

AV1 and VVC are both new codecs on the scene. Codecs touch our lives every day both at work and at home. They are the only way that anyone receives audio and video online and television. So all together they’re pretty important and finding better ones generates a lot of opinion.

So what are AV1 and VVC? VVC is one of the newest codecs on the block and is undergoing standardisation in MPEG. VVC builds on the technologies standardised by HEVC but adds many new coding tools. The standard is likely to enter draft phase before the end of 2019 resulting in it being officially standardised around a year later. For more info on VVC, check out Bitmovin’s VVC intro from Demuxed

AV1 is a new but increasingly known codec, famous for being royalty free and backed by Netflix, Apple and many other big hyper scale players. There have been reports that though there is no royalty levied on it, patent holders have still approached big manufacturers to discuss financial reimbursement so its ‘free’ status is a matter of debate. Whilst there is a patent defence programme, it is not known if it’s sufficient to insulate larger players. Much further on than VVC, AV1 has already had a code freeze and companies such as Bitmovin have been working hard to reduce the encode times – widely known to be very long – and create live services.

Here, Christian Feldmann from Bitmovin gives us the latest status on AV1 and VVC. Christian discusses AV1’s tools before discussing VVC’s tools pointing out the similarities that exist. Whilst AV1 is being supported in well known browsers, VVC is at the beginning.

There’s a look at the licensing status of each codec before a look at EVC – which stands for Essential Video Coding. This has a royalty free baseline profile so is of interest to many. Christian shares results from a Technicolor experiment.

Speakers

Christian Feldmann Christian Feldmann
Codec Engineer,
Bitmovin

Video: Optimizing ABR Encode, Compute & Control for Performance & Quality

Adaptive bitrate, ABR, is vital in effective delivery of video to the home where bandwidth varies over time. It requires creating several different renditions of your content at various bitrates, resolutions and even frame rate. These multiple encodes put a computational burden on the transcode stage.

Lowell Winger explains ways of optimising ABR encodes to reduce the computation needed to create these different versions. He explains ways to use encoding decisions from one version and use them in other encodes. This has a benefit of being able to use decisions made on high-resolution versions – which are benefiting from high definition to inform the decision in detail – on low-resolution content where the decision would otherwise be made with a lot less information.

This talk is the type of deep dive into encoding techniques that you would expect from the Video Engineering Summit which happens at Streaming Media East.

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Speaker

Lowell Winger Lowell Winger
Former Senior Director of Engineering,
IDT Inc.