Video: ST 2110 – From Theory to Reality

Delivering an all-IP truck is no mean feat. tpc explains what they learnt, what went well and how they succeeded in delivering a truck which takes no longer to fire up than a traditional SDI truck.

A common question among people considering a move to IP is ‘do I need to?’ and ‘how can I get ready?’. Here at The Broadcast Knowledge we always say ‘find a small project, get it working, learn what goes wrong and then plan the one you really wanted to do.’ The Swiss broadcasting service provider ‘Technology and Production Centre’, known as ‘tpc’, has done just that.

tpc is currently working on the Metechno project – a large, all-IP news, sports and technology centre for Swiss radio and television. In order to acquire necessary experience with the SMPTE ST 2110 standard, tpc designed the UHD1 OB van ahead of time which has been used in TV production for 6 months now. In this video, Andreas Lattmann shares the vision of the Metechno Project and, critically, his experiences related to the design and use of the truck.

The UHD1 is a 24-camera OB van with all IP core based on Arista switches with non-blocking architecture. It is the equivalent of an 184-square UHD SDI system however, it can be expanded by adding additional line cards to network switches. The truck is format agnostic, supporting both HD and UHD formats in HDR and SDR. IP gateways are incorporated for SDI equipment.

The SMPTE ST 2110 specification separates video and audio into discrete essence streams which boosts efficiency and flexibility, but we hear in this talk that more attention to latency (lip-sync) is required compared to SDI systems. Andreas talks about the flexibility this truck provides with up-/down-conversion, colour-correction for any video plus how IP has enabled full flexibility in what can be routed to the multiviewer screens.

Andreas spends some time discussing redundancy and how IP enables full redundancy – an improvement over many SDI infrastructures and how SMPTE’s ST 2022-7 standard makes this possible.

The main GUI is based on a Lawo VSM control system which aims to deliver a familiar experience for operators who used to work in the SDI domain. Network training has been provided for all operators because troubleshooting has changed significantly with the introduction of essences over IP. This is not least because NMOS IS-04 and 05 standards were not mature enough during the design of the truck, so all IP connections had to be managed manually. With more than 50 thousand IP addresses in this system, AMWA’s NMOS IS-04 which manages discovery and registration and IS-05 which manages the setup and take-down of connections would have helped significantly in the lean management of the truck.

Lattmann emphasizes the importance of using open standards like SMPTE ST 2110 instead of proprietary solutions. That allows you to choose the best components and not rely on a single manufacturer.

The learning’s the Andreas presents us involve difficulties with PTP, IP training, the benefits of flexibility. From a video point of view, Andreas presents his experiences with HDR->SDR workflows, focussing in HDR and UHD.

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Speaker

Andreas Lattmann Andreas Lattmann
CTO, Head of Planning & Projects
tpc Switzerland AG

Video: The ST 2094 Standards Suite For Dynamic Metadata

Lars Borg explains to us what problems the SMPTE ST 2094 standard sets out to solve. Looking at the different types of HDR and Wide Colour Gamut (WCG) we quickly see how many permutations there are and how many ways there are to get it wrong.

ST 2094 carries the metadata needed to manage the colour, dynamic range and related data. In order to understand what’s needed, Lars takes us through the details of the HDR implementations, touching on workflows and explaining how the ability of your display affects the video.

We then look at midtones and dynamic metadata before a Q&A.

This talk is very valuable in understanding the whole HDR, WCG ecosystem as much as it is ST 2094.

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Speaker

Lars Borg Lars Borg
Principal Scientist,
Adobe

Video: Recent Experiences with ATSC 3.0 from Seoul to Phoenix

This talk is part of a series of talks on ATSC 3.0 we’re featuring here on The Broadcast Knowledge. ATSC 3.0 is a big change in terrestrial television transmission because even over the air, the signal is IP.

In this talk, Joe Seccia from GatesAir, a company famed for its transmission systems, talks us through where the US (and Seoul) is on its way to deploying this technology.

With major US broadcasters having pledged to be on air with ATSC 3.0 by the end of 2020, trials are turning in to deployments and this is a report back on what’s been going on.

Joe covers the history of previous tests and trials before taking us through the architecture of a typical system. After explaining the significance of the move to IP, Joe also covers other improvements such as using OFDM modulation and thus being able to use a single frequency network (SFN). This combination of technologies improves reception and coverage over the 8VSB transmissions which went before it.

We also hear about the difference between home and broadcast gateways in the system as well as the Early Alert System Augmentation features which allow a broadcaster to ‘wake up’ TVs and other devices when disasters strike or are predicted.

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Speakers

Joe Seccia Joe Seccia
Manager, TV Transmission Market and Product Development Strategy,
GatesAir

Video: 2019 Display Trends and Hot Display Apps

Display technology has always been deeply intertwined with broadcasting. After all, when John Logie Baird first demonstrated his working television, he had to invent both the camera and the display device, then known as at the televisor. He himself worked tirelessly on improving television and less than 20 years after his black and white debut was working on a colour television which used two CRT (Cathode Ray Tubes) to produce its picture culminating in the world’s first demonstration of a colour TV in 1944 – incidentally discovering, demonstrating and patenting 3D TV on the way!

So it is today that the displays define what we can show to viewers. Is there any point in mastering a video to show at 10,000 NITs if there is no display that can show something so bright? Pushing all of Europe and the US’s television programmes to 8K resolution is of limited benefit when 8K TVs are in limited supply and in few homes.

This talk looks at the state of the art of display technology seeing where it’s being used and how. Digital Signage is covered and of course this is where the high brightness technology is developed, for signs outside, some of which could influence more conventional TVs on which we want to watch HDR (High Dynamic Range) video.

When OLED technology first came along it was quickly slated as a great option TVs and yet all these years later we see that its adoption in large panels is low. This shows the difficulty, sometimes, in dealing with the technical challenges of great technologies. We now see OLEDs in wearable devices and smaller screens. The number of the screens is quickly increasing as IoT devices, watches and other electronics start to adopt full screens instead of just flashing LEDs. This increase in manufacturing should lead to renewed investment in this field potentially allowing OLEDs to be incorporated in to full-sized, large TVs.

The talk finished with a look at the TV market covering quantum dots and what people really mean when they mention ‘LED TVs’.

This webinar is from the Society for Information Display and is produced in partnership with SMPTE.

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Speaker

Sri Peruvemba Sri Peruvemba
CEO,
Marketer International