ST 2110

Video: JPEG XS in Action for IP Production

Posted on by Adam K

JPEG XS is a new intra-frame compression standard delivering JPEG 2000 quality with 1000x lower latency – microseconds instead of milliseconds. This codec provides relatively low bandwidth (visually lossless compression at ratio of 10:1) with very-low and fixed latency, which makes it ideal for remote production of live events.

In this video Andy Rayner from Nevion shows how JPEG XS fits in all-IP broadcast technology with SMPTE ST 2110-22 standard. Then he presents the world’s first full JPEG-XS deployment for live IP production created for a large sports broadcaster. It was designed for pan-European WAN operation and based on ST 2110 standard with ST 2022-7 protection.

Andy discusses challenges of IP to IP processing (ST 2110-20 to ST 2110-22 conversion) and shows how to keep video and audio in sync through the whole processing chain.

This presentation proves that JPEG-XS is working, low latency distributed production is possible and the value of the ST2110-22 addition to the 2110 suite.

You can see the slides here.

Watch now!

Speaker

Andy Rayner Andy Rayner
Chief Technologist
Nevion Ltd.

Video: Broadcast 101 – Audio in an IP Infrastructure

Posted on by Russell Trafford-Jones

Uncompressed audio has been in the IP game a lot longer than uncompressed video. Because of its long history, it’s had chance to create a fair number of formats ahead of the current standard AES67. Since many people were trying to achieve the same thing, we find that some formats are compatible with AES67 – in part, whilst we that others are not compatible.

To navigate this difficult world of compatibility, Axon CTO Peter Schut continues the Broadcast 101 webinar series with this video recorded this month.

Peter starts by explaining the different audio formats available today including Dante, RAVENNA and others and outlines the ways in which they do and don’t interoperate. After spending a couple of minutes summarising each format individually, including the two SMPTE audio formats -30 and -31, he shows a helpful table comparing the,

Timing is next on the list discussing PTP and the way that SMPTE ST 2059 is used then packet time is covered explaining how the RTP payload fits into the equation. This payload directly affects the duration of audio you can fit into a packet. The duration is important in terms of keeping a low latency and is restricted to either 1ms or 125 microseconds by SMPTE ST 2110-30.

Peter finishes up this webinar talking about some further details about the interoperability problems between the formats.

Watch now!

Speaker

Peter Schut Peter Schut
CTO,
Axon

Video: M6 France – Master Control and Playout IP Migration

Posted on by Adam K

French broadcast company M6 Group has recently moved to an all-IP workflow, employing the SMPTE ST 2110 suite of standards for professional media delivery over IP networks. The two main playout channels and MCR have been already upgraded and the next few channels will be transitioned to the new core soon.

The M6 system comprises equipment from five different vendors (Evertz, Tektronix, Harmonic, Ross and TSL), all managed and controlled using the AMWA NMOS IS-04 and IS-05 specifications. Such interoperability is an inherent feature of SMPTE ST 2110 suite of standards allowing customers to focus on the operational workflows and flexibility that IP brings them. Centralised management and configuration of the system is provided through web interfaces which also allows for easy and automated addition of a new equipment.

Thanks to Software Defined Orchestration and intuitive touch screen interfaces information such as source paths, link bandwidth / status, and device details can be quickly accessed via a web GUI. As the system is based on IP network, it is possible to come in and out of fabric numerous times without the same costs implications that you would have in the SDI world. Every point of the signal chain can be easily visualised which enables broadcast engineers to maintain and configure the system with ease.

You can see the slides here.

Watch now!

Speaker

Slavisa Gruborovic
Solution Architect
Evertz Microsystems Inc.
Fernando Solanes
Director Solutions Engineering
Evertz Microsystems Inc.

 

Video: IP Test and Measurement for ST 2110 Systems

Posted on by Adam K

As the transition to IP-based transport for video, audio, and data continues. The early adopters have already demonstrated the operational and commercial benefits of COTS IP infrastructure and SMPTE ST 2110 video-over-IP standard suite becomes mature now. However, configuration and troubleshooting of IP systems requires a completely new skillset. Broadcast engineers need to gain an understanding of the technology and the new techniques required to monitor these signals.

In this video Kevin Salvidge from Leader shows what test and measurement tools you need to ensure you continue to deliver the same quality of service that can be achieved with SDI systems.

Kevin looks at the main differences between traditional and IP systems which stem as much from a move from synchronous to asynchronous infrastructure as the way you measure how well the system is working.

The following topics are covered:

  • Frame Check Sequence (FCS), Cyclic Redundancy Check (CRC)
  • Packet jitter measurement (avoiding buffer underrun)
  • Monitoring ST 2022-7 path delay between the two feeds
  • PTP synchronization (offset and delay graphs, synchronisation accuracy)
  • Checking that video, audio and ANC signals are synchronised with PTP and RTP timing measurement
  • Packet Header Information looking at MAC, IP, UDP, RTP as well as the payload
  • SFP Information (10/25 Gb, multimode / single mode etc.)
  • IP Event Log e.g. Grand Master change
  • Hybrid IP and SDI Video and Audio Test and Measurement

You can see the slides here.

Watch now!

Speaker

Kevin Salvidge
European Regional Development Manager
Leader